Humour exerted by AI painting machines are gradually becoming empathetic (not yet conscious?) of comic information they attribute to audiences. In the symptomatology of artworks produced by machines, online AI text-to-image apps provide sliding menus for the diminution or exaggeration of a mimic property as laughter, eye-opening levels, etc. In any case, it is information stored from other historical art images or photographic paradigms, processed to formalise a new iconopoiia.
Salvatore è un atto poetico e rivoluzionario, è performance stupefatta dove attraverso affinità empatiche e telepatiche partecipiamo a un grande progetto di “abitare” le vite (tutte). Questo mio discorso a cuore aperto, come un’operazione senza anestesia, forse non restituisce l’immensità di Salvatore, ma ne dà una goccia che spero instillerà nell’oceano agitato una promessa di continuare ciò che Salvatore ha fatto e continua con noi a fare, ossia aprire il suo corpo. Il nostro (suo) viaggio non...
[ITA] La creatività al crocevia tra neuroscienze, Intelligenza Artificiale, Gaming, economie alternative e umanesimo.
[ENG] Creativity at the crossroads of neuroscience, Artificial Intelligence, Gaming, alternative economies, and humanism.
The transversal character of artificial intelligence and the related social, economic, ethical, legal and cultural impacts call for interdisciplinary discussions that go beyond the purely technological angle. This is the focus of the present book, to present the result of interdisciplinary discussions on artificial intelligence and humanity carried out at the Centre for Advanced Studies, Joint Research Centre, European Commission.
The 12th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2023 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artist fields.
Held annually in July, EVA London is one of the international Electronic Visualisation & the Arts conferences. The first EVA conference was held in 1990, with the intention to create a space for people using or interested in the new technologies to share their experiences and network in a friendly, collaborative atmosphere. EVA London’s focus is on the development and application of visualisation technologies to various domains, including art, music, dance, theatre and the sciences...
Conseguenza ne è che l’intelligenza naturale dell’uomo diventa artificiale non appena si smette di parlarne con parole ordinarie e il microscopio matematico subentra per indagarne/descriverne i... “meccanismi”. Matematizzazione della nostra intelligenza naturalmente matematizzante e sua artificializzazione sembrano dunque andare “ovviamente” insieme.
Computational Creativity (or CC) is a discipline with roots in Artificial Intelligence (AI), Cognitive Science, Engineering, Design, Psychology and Philosophy, and which explores the potential for computers to be autonomous creators in their own right. ICCC is an annual conference that welcomes papers on different aspects of CC, on systems that exhibit varying degrees of creative autonomy, on frameworks that offer greater clarity for thinking about machine (and human) creativity, on methodologie...
The JRC SciArt project is pleased to announce its upcoming series of conferences Changing the Ground to reconsider the post-covid worldview, which, in our opinion, requires a closer collaboration between art and science amongst other urgent changes that are needed to confront the challenges before us.
The 2021 AI Index report is one of the most comprehensive reports about artificial intelligence to date. This latest edition significantly expands the amount of data available in the report, which was drawn from a broader set of academic, private, and non-profit organizations for calibration.
These developments in AI pose a significant threat to many design professionals who will be replaced by artificial intelligence that will make human labour redundant. However, the integration of AI systems into the design process also provides new opportunities: collaboration with AI systems allows for design on a level of complexity and scale that human cognition cannot encompass. Therefore, based on the recognition of the creative capabilities of the machine, the challenge for designers today ...
EvoMUSART 2021 is the 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design. The use of Artificial Intelligence for the development of artistic systems is a recent, exciting and significant area of research.
The visual output from these AI generated paintings were incorporated back into abstract artworks of my own creation using traditional means; and these could subsequently be used as input to the DCGAN algorithm. When implemented iteratively, this procedure can lead to coevolution of human-machine creativity, as the artistic output of each entity (human and AI) influence each other.
The AI Lab (European ARTificial Intelligence Lab) is a follow up project of the European Digital Art and Science Network and offers international artists working in the field of AI to win a residency at a scientific partner institution and at the Futurelab of Ars Electronica.
As artists and designers create never-before-heard sounds and images of never-before-seen faces, explore new processes for human-machine co-creation and infinitely parameterize the design of objects, are we at the dawn of a new paradigm in creative practice?
Computational Creativity (or CC) is a discipline with its roots in Artificial Intelligence, Cognitive Science, Engineering, Design, Psychology and Philosophy that explores the potential for computers to be autonomous creators in their own right.
In line with the datami concept – to bring rest and repose against the digital onslaught – the idea is to organise an investigation into the cultural aspects of Big Data/AI/Digital Transformation, calling upon the Humanities to shed some light beyond the blind spot of technological progress, to help us out in avoiding mass delusions and close the gap with computational machines that are supposed to carry out their own embedded desires.
[ITA] Transmediale 2017 sembrava una festa per celebrare una ricca storia di movimenti, culture e cambiamenti, invece si è trasformata in una celebrazione autoreferenziale con situazioni e proiezioni già masticate e digerite, senza una versione critica di un mutamento antropologico.
[ENG] Transmediale 2017 seemed to be a party to celebrate a rich history of movements, cultures and changes, instead its turned into a self-referential celebration with situations and projections already chewed and ...
"[ITA] Il 20, 21 e 22 Febbraio all’Università di Genova c’è “Interactive Micro Aerial Robots Swarm I-MARS 2017”, tre giorni di conferenze e workshop transdisciplinari che coinvolgeranno artisti, designer, scienziati, tecnologi e docenti. Noema è partner dell'evento.
[ENG] On February 20, 21 and 22 will take place at the University of Genoa “Interactive Micro Aerial Robots Swarm I-MARS 2017”, three days of transdisciplinary lectures and workshops involving artists, designers, scientists, teacher...
[ITA] Noema è partner di A.I. Conference, a cura di Leonel Moura, che si svolgerà presso il Geek Picnic Festival 2017 in tre date: San Pietroburgo (17-18 Giugno), Mosca (24-25 Giugno) e New York (12-13 Agosto).
[ENG] Noema is a partner of A.I. Conference, curated by Leonel Moura, which will take place at the Geek Picnic Festival 2017 in three dates: S. Petersburg (June, 17-18), Moscow (June, 24-25) and New York (August, 12-13).
Source: Salon
A recent article titled “Why is AI Female?” made the connection that gendered labor, in service professions in particular, is fueling our expectations for gendered AI assistants and service robots. Furthermore, the author argues, this “feminizing — and sexualizing — of machines” signals a future with a disproportionate use of feminized VR and robots for a male-dominated sex industry. Monica Nickelsburg writes:
“Sex with robots is a big leap from asking Siri to set an alarm, but...