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The Quarantine Culture. The Emergency Exit during Pandemic’s Social Distancing
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The Quarantine Culture. The Emergency Exit during Pandemic’s Social Distancing

"To sum up, returning to the question of whether virtual hugs can indeed give you comfort, the findings suggest that, as the new rules of social interaction become part of your reality, your brain may react in ways that can actually provide you with at least some consolation."
Note sul tramonto dell’umanesimo / Notes on the decline of humanism
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Note sul tramonto dell’umanesimo / Notes on the decline of humanism

[ITA] Bisogna oltrepassare l’umanesimo, andare al di là dell’umano, superare un antropocentrismo miope e ottuso che ha posto l’Homo sapiens in cima alla piramide del vivente. [ENG] It is necessary to go beyond humanism, beyond the human, to overcome a short-sighted and obtuse anthropocentrism that has placed Homo sapiens on top of the pyramid of the living.
Coevolution of Human-Machine Creativity: Incorporating the Visual Output of Artificial Intelligence into Traditional Art Making
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Coevolution of Human-Machine Creativity: Incorporating the Visual Output of Artificial Intelligence into Traditional Art Making

The visual output from these AI generated paintings were incorporated back into abstract artworks of my own creation using traditional means; and these could subsequently be used as input to the DCGAN algorithm. When implemented iteratively, this procedure can lead to coevolution of human-machine creativity, as the artistic output of each entity (human and AI) influence each other.
L’art numérique, un art contemporain? / L’arte digitale, un’arte contemporanea?
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L’art numérique, un art contemporain? / L’arte digitale, un’arte contemporanea?

[FRA] Toujours la même question du rapport tourmenté entre art numérique et art contemporain. Pourquoi encore cette question? D’abord, parce qu’elle n’est pas résolue. Mais on peut se demander si elle le sera un jour, ou s’il faut vraiment la résoudre. [ITA] Sempre la stessa domanda del tormentato rapporto tra arte digitale e arte contemporanea. Perché riproporre questa domanda? Per prima cosa, perché é ancora irrisolta. Ma é lecito chiedersi se é possibile risolverla oggi o un giorno, o se ha d...
Emersion de l’émersiologie
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Emersion de l’émersiologie

En refusant le réductionnisme même méthodologique, l’émersiologie, comme écologie corporelle, étudie la langue du corps vivant dans l’éveil de nouvelles sensations jusqu’à la conscience sans que celle-ci l’ait désiré volontairement ni recherché délibérément dans une performance.
Introduction to the Fiftieth Anniversary Edition of Expanded Cinema
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Introduction to the Fiftieth Anniversary Edition of Expanded Cinema

Expanded Cinema marked the beginning of the end of medium specificity that would happen decades later in the great digital convergence. [...] The currently embryonic AR Cloud is a three-dimensional, 1:1 mapping of the physical world. In that sense, the real world itself is the operating system. Everything will run off it. Future World Games will be played not on Dymaxion maps but on virtual real-world locations.
Ambiguous humanity. Some reflections between hope and future starting from Greta Thunberg
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Ambiguous humanity. Some reflections between hope and future starting from Greta Thunberg

Lots of words have been said and written about Greta Thunberg. Her parable is an interesting case study in the communication and media realms, but it also provides an opportunity to reflect on human responsibilities, on the present and the future of our species. It deserves some further considerations.
L’umanità controversa. Riflessioni tra speranza e futuro a partire da Greta Thunberg
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L’umanità controversa. Riflessioni tra speranza e futuro a partire da Greta Thunberg

[ITA] Si è detto e scritto molto sul conto di Greta Thunberg, quello che ha fatto è stato esaltato, analizzato, criticato, fino a diventare oggetto di insulti e minacce. La sua parabola costituisce un oggetto di studio interessante dal punto di vista della comunicazione e dei media, ma fornisce anche l’occasione per soffermarsi sulle responsabilità umane, sul presente e sul futuro della nostra specie. [ENG] It has been said and written a lot about Greta Thunberg, what she did was exalted, analyz...
A tribute to Noema 20th Anniversary
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A tribute to Noema 20th Anniversary

In 2002 I worked on a collaborative project 34 North 118 West that was one of the first GPS locative narratives. After that there was a new terrifying feeling in my life of what to do next, where to go on an invisible, uncertain path. I felt lost for a year then collaborated on a project that ran text/image/sound works with hacked data from earthquake sensors. We worked on it for months and it was in a gallery back when digital exhibition was strange and odd. We buried a computer in a wall...
Awful Grace
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Awful Grace

The sixth extinction may well claim us; considering what our species has done to the rest of life, we may deserve to go extinct, sooner rather than later. But I hope that we survive. [...] Much of our habitat seems likely to be lost. However, if we survive there will be song and dance, stories and drawings. These are what human beings have always done best. One way or another we will have a new culture, genuinely new. Many new cultures may arise, some, perhaps most, beyond imagining today.
Oocyte Aesthetic, Human Design and Mission Creep
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Oocyte Aesthetic, Human Design and Mission Creep

The admixture of global interspecies variety through genetic engineering and the cloning of spectacular hereditary cascades should only be approved through an aesthetic advisory commission made up of artists, art historians and off-the-locus aesthetics specialists. The future of style and the avoidance of our populous birthing any aesthetic hazards are dependent on collaboration between new reproductive biotechnology and the Arts.
Post-polyploidy subgenome evolution of glitch art
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Post-polyploidy subgenome evolution of glitch art

Can artistic innovation be inspired and guided on knowledge taken from the field of plant genome evolution? The author explored this question by subjecting a glitch artwork to processes analogous to those shaping the evolution of the maize genome; that are whole genome duplication (WGD), subgenome bias fractionation and genome dominance, respectively.
Tra arte e complessità / Between Art and Complexity
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Tra arte e complessità / Between Art and Complexity

[ITA] Emerge la complessità dell’arte e allo stesso tempo è l’arte stessa a sciogliere la matassa della complessità in un processo ricorsivo, fondamentale e imprescindibile dove l’arte di-svela la filosofia della/sulla contemporaneità. [ENG] What emerges is both the complexity of art and, at the same time, the statement that claims that art can dissolve the skin of complexity itself in a recursive, fundamental and indispensable process where art reveals the philosophy of contemporaneity....
Cosa può un corpo?  Un manifesto emersivo per un’emergenza corporea / What can a body do? Manifesto emersivo for a bodily emergency
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Cosa può un corpo? Un manifesto emersivo per un’emergenza corporea / What can a body do? Manifesto emersivo for a bodily emergency

[ITA] Una intensa riflessione sullo stato dell’arte del corpo contemporaneo e la sua capacità di immersione. [ENG] An intense reflection on the state of the art of the contemporary body and its capacity for immersion.
L’occhio-macchina. Uno sguardo sulla vita algoritmica / The eye-machine. A gaze onto algorithmic life
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L’occhio-macchina. Uno sguardo sulla vita algoritmica / The eye-machine. A gaze onto algorithmic life

[ITA] Non sono più le immagini e nemmeno la tecnologia a desiderare, ma sono gli algoritmi a ri-ontologizzare il nostro mondo [ENG] It is no longer images or technology that are desired, but algorithms that re-ontologise our world
La vita è un medium. Un censimento sull’arte transgenica / Life is a medium. A census on transgenic art
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La vita è un medium. Un censimento sull’arte transgenica / Life is a medium. A census on transgenic art

[ITA] L’arte transgenica si fa indagine sulla vita, favorisce un’importante e profonda relazione tra artista, pubblico e organismo transgenico. [ENG] Transgenic art becomes an investigation into life, it fosters an important and deep relationship between the artist, the audience and the transgenic organism.
A Framework for the Integration of Art & Science
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A Framework for the Integration of Art & Science

The ideas the author expresses here intend to codify the types of creative expression that may lead to the integration of art with science in the near future. The time has come for the emergence of a new science in which creative expressiveness is part of the research agenda and this essay aims at inoculating scientists with the spirit of art, and artists with the spirit of science.
The Bioart of Neurons and Memory
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The Bioart of Neurons and Memory

Demonstrating the preservation of cells after a living organism is pronounced dead and revived is not a traditional bioart topic. But it is an important one. It is a crucial step for advances in the use of lowered temperatures for sustaining the efficacy of organs and organisms during medical procedures, and especially of preserving neurons for the science cryonics. My recent bioart research is a breakthrough that will help to build momentum toward more advanced studies on information storage w...
Text is Mortal
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Text is Mortal

Text twitches and is wound. Text is hallucinatory by design to convey images without anything but letterforms. Text is held like traffic flows by not stop signs but commas and semicolons and all the rest. Text is mortal and mutates. It is time to look not just into creative experiments and new methodologies within textual works but text itself. Something interesting can happen if interaction happens within the body of the letters themselves.
Il corpo immerso
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Il corpo immerso

[ITA] Il testo seguente costituisce l’introduzione del volume di Anaïs Bernard, Bernard Andrieu, Manifesto Emersivo. Nascita delle Arti Immersive, Ravenna, Noema Media & Publishing, 2018, disponibile a questo link. [ENG] The following text is the introduction of the volume of Anaïs Bernard, Bernard Andrieu, Manifesto Emersivo. Nascita delle Arti Immersive (Emersive Manifesto. Birth of the Immersive Arts), Ravenna, Noema Media & Publishing, 2018, available at this link.
Climate Leviathan
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Climate Leviathan

Climate Leviathan is an essential book. I recommend it to anyone concerned about the future. However, it would have been an even better book if it were less nostalgic for lost certainties of the left. That would have made its panorama of the future even darker, but simultaneously may have revealed more than four political possibilities.
Metodi ed Emozioni / Méthodes et émotions
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Metodi ed Emozioni / Méthodes et émotions

[ITA] L’emozione è proprio ciò che conduce alla curiosità scientifica. L’opera d’arte dà luogo anche a una riflessione di tipo scientifico perché include una componente scientifica. Proprio perché c’è un contenuto d’informazione di tipo scientifico può esserci un valore estetico. [FRA] L’émotion est justement ce qui nous amène à la curiosité scientifique. L’œuvre d’art donne lieu aussi à une réflexion de type scientifique, car elle inclut une composante scientifique. En réalité la science contie...
Baudrillard and the Situationists
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Baudrillard and the Situationists

I will say something about the similarities and differences between the Situationist critical social theory of advanced or hyper-capitalism and consumerist media culture, and Jean Baudrillard’s theory of image, media and consumer culture. And about the implications for how resistance and change and transformation can come about starting from his theory of objects.
Antibodies. Lynn Hershman Leeson At HeK
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Antibodies. Lynn Hershman Leeson At HeK

HeK has recently dedicated the solo show "Anti-Bodies" to Lynn Hershman Leeson, which focuses on her most recent studies into biological advancement, regenerative medicine, antibodies and genetic research. As a pioneer of media art, her practice has always investigated the subject as a field of self-construction and self-observation in panoptic society.
What3words e locative media: una possibile traccia artistica
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What3words e locative media: una possibile traccia artistica

[ITA] L’intuizione principale dietro what3words sta nell’aver tradotto le incomunicabili quindici cifre di latitudine e longitudine in un linguaggio perfettamente umano e memorizzabile. [ENG] The what3words commercial geocoding system, founded in 2013, allows to locate geographical positions through the algorithmic assignation of a combination of three words, a textual tag that replaces the uncomfortably numerical lat-long coordinates.

Interview with Marta de Menezes

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil