The Award is open to individuals, teams or organizations, regardless of nationality. Eligible submissions must present projects, initiatives and tools that communicate climate change through various forms such as arts, theatre, video making, podcasts, music, photography, journalism, gaming, education, data visualization, editorial contents and the use of digital channels and tools. Scientific reports and capacity building projects are not intended as communication projects, therefore are not eli...
Bringing together invited speakers from the worlds of computing, AI, art, robotics, and virtual and augmented reality, the symposium will address topics such as ‘AI and visualisation in scientific discovery’, ‘Can AI be creative?’ and ‘Curating AI and Digital Art’.
This "Ocean-Space-Ocean" edition of the "More-Than-Planet" symposium series will bring together artists and researchers to question the role of the oceans in planetary balances and the perspectives offered by marine biodiversity in the ecological transition.
Two years after the outbreak of the pandemic and the distance or hybridity it forced our lives into, the 13th Beyond Humanism Conference is taking place as a live event, returning to one of the crucial places for the development of the several Posthuman routes of thinking, the University of the Aegean, Mytilini, Greece.
Apply to share your climate adaptation solutions and challenges, content proposals, posters and creative arts at ECCA2023. Once you have registered, simply read our Submission Guidelines, select the most appropriate theme and submit your application.
[ITA] Un evento per sondare lo stato attuale della critica d'arte con approfondite analisi sulle opere e sugli artisti nello specifico dei contenuti culturali che riguardano le arti.
[ENG] An event to analyze the current state of art criticism, with in-depth analysis of the art works and of the artists, specifically in the cultural realms concerning the arts.
In view of the urgency felt, the SciArt project wanted to delve deeper into the cultural, philosophical and epistemological ramifications of our attitude towards Nature, feeling that such a reflection is an essential element to bring about real change. It intends to tie together the latest understanding of science, art and culture within a sound vision that liberates our concepts of nature from obsolete assumptions.
ACT (Arts & Creative Technology) Festival of the Asia Culture Center (ACC) aims to integrate artistic creativity and technology in a transdisciplinary festival that showcases future-oriented projects and ideas through various programs including exhibitions, academic forums, performances, and workshops, promoting the exchange of knowledge, skills, and experiences among local and international artists, cultural producers, and the general public.
[ITA] L’edizione italiana non è una semplice traduzione dei contenuti della versione originale inglese, ma è stata arricchita dai contributi di alcuni nuovi autori sull’argomento.
[ENG] The Italian edition is not just a simple translation of the contents of the original English version, but it has been enriched by texts on the subject from some new authors.
Visual communication through graphical or sign languages has long been conducted among human beings of different backgrounds or cultures, and in recent decades between human and machine. In today's digital world, visual information is typically encoded with various metaphors commonly used in daily life to facilitate rapid comprehension and easy analysis during the communication process.
[ITA] “Giacomo Verde: Liberare Arte da Artisti” è la prima mostra pubblica dall'Archivio Giacomo Verde e illustra la prima “fase tecno-artistica” dell'artista: un periodo ben documentato e ricco di creatività dal teatro popolare e di strada alla video arte e alle installazioni.
[ENG] “Giacomo Verde: Set the artists free from Art” is the first public exhibition from the Giacomo Verde Archive and it illustrates artist’s first “techno-artistic phase”: a well-documented and creatively rich period f...
With the rise of technical media, a turning point had come: artists began to take an interest in the use of “scientific” tools. Today, both disciplines increasingly work with the same tools, methods, and programs. This common »pool of tools« points to the beginning of a new renaissance, similarly realized by the Italian Renaissance. Leonardo da Vinci discussed in his »Trattato della Pittura« (around 1500): "Se la pittura è scienza o no" and came to the conclusion: painting is a science.
The temporal framework of early digital art in Croatia in this project is bounded by emblematic years: revolutionary 1968, when the first exhibition of digital art was put on, and Orwellian 1984. The project was supported by the City Office for Culture, Intercity and International Cooperation and Civil Society and the Ministry of Culture and Media of the Republic of Croatia. The realization of the exhibition is supported by the funds of the Ministry of Culture and Media of the Republic of Croati...
Humans have always been inspired by the living, representing, simulating and emulating it. Today we are witnessing the extension of life into a “Third Life” - being the “First Life” the biological life and the “Second Life” the life in the symbolic dimension - that expands Nature. This process is consistent with the progressive externalization outside the body of human functions and activities.
Transformation Digital Art 2023 aims to show and discuss existing and new strategies for the documentation, transmission, and preservation of digital art for and by artists, curators and conservators.
Seven applicants will be selected for this 3-day training school which will focus on ecologies of care by examining data systems that are more inclusive and allow engagement and cooperation in a non-hierarchical manner. It will investigate how data and systems can be used as tools for processes of shared and sharing subjectivities and will explore methodologies for creating ethical and unbiased data-sets, and/or setup networks that can help.
The Great Circle Project (TGC) is an immersive Gigapixel artistic experience. A 25 minute computer-generated film with a resolution of 41,472,000 pixels (CG Gigapixel film). It is freely inspired by one of the largest monumental panorama oil on canvas painting in the world: The Early Bourgeois Revolution in Germany by Werner Tübke (1929-2004), recognized as one of the most important East German artists.
Calling all artists and (artistic) researchers who contribute in a unique way to face the ecological and space challenges of the world. Join the More-than-Planet residency programs: Deep and Meander/Boreal Forest and explore the intersection of art and science in addressing environmental change. Re-examine our planetary literacy by exploring themes from local to planetary level.
The Future Earth Research School on “Data Science and Machine Learning for Climate Research” aims to provide a comprehensive overview of the mathematical foundations of machine learning, with a particular focus on methods for the analysis of complex dynamical systems.
KONTEJNER I bureau of contemporary art praxis is inviting Croatian and international artists / artistic collectives to apply for two new open calls within the project A Sea Change, co-founded by the European Union and led by KONTEJNER.
[ITA] Scuola Futura, è la piattaforma per la formazione del personale scolastico (docenti, personale ATA, DSGA, DS), nell’ambito delle azioni del Piano nazionale di ripresa e resilienza (PNRR).
[ENG] Scuola Futura (Future School) is the platform for the training of school staff (teachers, ATA, DSGA, DS staff), as part of the actions of the National Recovery and Resilience Plan (PNRR).
In recent years, STI policy globally has increasingly focused on ensuring that researchers engage with wider stakeholders to deliver positive economic impact and address societal challenges. This reflects the growing societal expectations placed on research and innovation, and increased concerns about how well research systems are aligned with the changing needs of society. Demand for research with impact has generated changes in how research is funded, evaluated, organized and disseminated.
The title ‘RE:SOURCE‘ refers to a sub theme specifically introduced in the MAH Venice edition of the conference series. This theme will be centred on the climate crisis and questions of ecological sustainability considered in all their ramifications analysed through the lenses of Media Art (History).
With this panel, we encourage proposals coming from both academics and practitioners for creative/performative presentations (regarding curatorial practices and/or exhibitions and storytelling), interactive sessions (bearing on material objects), and/or traditional academic papers.
La Generative AI Art può essere considerata una nuova forma di Media distinto dall’Arte Digitale “tradizionale”. Una delle principali differenze è il ruolo dell’artista nel processo di creazione. Nell‘Arte Digitale tradizionale, l’artista ha in genere un alto grado di controllo sull’opera finale, utilizzando strumenti e tecniche digitali per creare l’arte, per esempio codici di programmazione o interfacce grafiche. Al contrario, nella Generative Al Art, l’artista gioca un ruolo più indiretto, fo...
[ITA] Flussi di energia tra piante, umani e altri viventi, è un’installazione multimediale, immersiva e interattiva sull’energia, tema sempre più attuale e urgente.
[ENG] Energy flows between plants, humans and other living beings. LUMEN is a multimedia, immersive and interactive installation on energy, an increasingly topical and urgent issue.
Share your innovative projects and initiatives, join the global network of climate change communicators, take part in the contest, and enhance your impact worldwide. The second edition of the CMCC was launched at COP27 in Sharm el-Sheikh. Submissions are welcome until 15 June 2023. Follow us on the journey to meet new ways to communicate the climate challenge worldwide.