The Wound of the Possible. Art, Futurity, and Non-Human Agency [Deadline Extended]
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The Wound of the Possible. Art, Futurity, and Non-Human Agency [Deadline Extended]

We are interested in art that anticipates, interprets, and imagines, but also in art that resists and keeps open the wound of the possible against the pressure of the inevitable. We are interested in the aesthetics of survival and the poetics of catastrophe, in the archive as a form of construction of the future and the algorithm as aesthetic agent. We are interested in voices from the margins of the dominant technocultural imaginary, and in the stubborn and necessary work of imagining otherwise...
Whose Cloud? Participation, Territory and Chile’s Data Centre Futures
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Whose Cloud? Participation, Territory and Chile’s Data Centre Futures

What does it mean to build digital infrastructure in a context of environmental constraints, competing territorial interests, and growing demand for data? This session explores Chile's National Data Centers Plan 2024–2030 as a case study.
Hyper Reality
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Hyper Reality

Hyper Reality è il titolo-tema dell’undicesima edizione del Festival curato a Forlì da Vertov Project. Prologo in corso alla Fondazione Dino Zoli con la mostra collettiva Interference, che riunisce dodici artiste internazionali nel segno dell’interferenza come forza generativa.
Archaeology of the Inner Voice
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Archaeology of the Inner Voice

When I enter the radius of any of the three geolocations—Campo Santa Maria Formosa, Ponte delle Tette, or Campo Sant’Agnese—verses by Veronica Franco become audible through the headphones. They are read by a synthesized voice. The text is intelligible, the delivery fluid and close to the ear. No recording of her voice exists, nor has one ever existed.
Revivification
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Revivification

Situated within debates around human agency and generative AI, Revivification attempts to posthumously extend the artistic life of experimental composer Alvin Lucier (1931-2021). Departing earth at the age of 90, his donated biological material becomes the basis of a living system – a new kind of biological performer that continues his artistic and cellular journey.
Ars Biologica ArtXScience Residency
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Ars Biologica ArtXScience Residency

We are looking for artistic proposals for (1) a spatial ArtXScience artwork that goes beyond screen-based explorations and (2) public engagement formats involving the local community connected to the artwork. The final artistic outcome will be presented in the Ars Biologica Festival in spring 2028.
Disclosure
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Disclosure

IoT is the best basis, not objective, not neutral for active decision making for ‘now’ and factoring in the repercussions of that act in ten years time. I too end on pragmatic cybernetics as the only form of governance that will keep us from ‘total breakdown of society because of the inability of the state to deal with the digital’.
Rencontres Internationales Sciences & Cinéma (Risc) 2026
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Rencontres Internationales Sciences & Cinéma (Risc) 2026

Peuvent concourir tous genres de films (documentaire, fiction, expérimental, art vidéo, animation...), de tous pays, de toute durée, dont le thème et/ou la démarche témoignent d’une forte proximité (ou affinité) avec des champs de la recherche scientifique.
The Mutability of Memories and Fates: Art, Aesthetics and Culture in the Biolab
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The Mutability of Memories and Fates: Art, Aesthetics and Culture in the Biolab

What distinguishes this work is that it originated from a question posed by the artist herself: how many times can a cell be reprogrammed, and what traces of its previous states might remain? The question emerged from artistic reflection on the concepts of memory and identity, yet it resonated strongly with ongoing scientific investigations into cellular plasticity.
HORIZON – crossing terra / aqua / caelum
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HORIZON – crossing terra / aqua / caelum

Horizon: Crossing Terra, Aqua and Caelum is presented at Museo Vostell Malpartida, within El Molino, as an immersive audiovisual installation accompanied by a live performance. The work engages with the conceptual and ecological legacy of the Canadian collective N.E.Thing Company and with the experimental spirit of Fluxus, exploring the relationships between earth, water, and sky through image, sound, and energy.
Fluid Futures
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Fluid Futures

As climate change, pollution, biodiversity loss and increasing pressure on resources continue to reshape our relationship with water, new forms of collaboration are urgently needed. How can art help us better understand the complexity of water systems? How can artists work alongside scientists, local communities, municipalities and policymakers to imagine new approaches to water management and ecological resilience? And how can creativity become a catalyst for awareness, participation and system...
Arts at CERN and Nobel Prize Museum announce the Collide Stockholm international residency award recipient
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Arts at CERN and Nobel Prize Museum announce the Collide Stockholm international residency award recipient

Following the international open call launched in November 2025, Arts at CERN and the Nobel Prize Museum are pleased to announce that Lithuanian artist Emilija Škarnulytė has been selected as the recipient of the Collide Stockholm residency award.
Estetiche distribuite. Arte e Intelligenza Artificiale
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Estetiche distribuite. Arte e Intelligenza Artificiale

Il Forum riunisce studiosi, artisti, filosofi, ricercatori, esperti di intelligenza artificiale, professionisti del settore tecnologico e rappresentanti del mondo accademico internazionale, con l’obiettivo di costruire uno spazio di confronto avanzato sulle trasformazioni che l’AI sta introducendo nei processi creativi, antropologici, scientifici e sociali.
CLUSTER. Symphony of Data
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CLUSTER. Symphony of Data

CLUSTER. Symphony of Data invita il pubblico a partecipare ad una esperienza immersiva, generata grazie all’elaborazione e alla traduzione in tempo reale dei dati dell’esperimento Atlas. Mostrati al pubblico attraverso una combinazione di laser, video-proiezioni e suoni generativi, eventi e valori numerici si trasformano in una composizione visivo-sonora in cui le collisioni subatomiche che producono il bosone di Higgs sono rappresentate su uno schermo che richiama idealmente una sezione di Atla...
The Iran War is Not Taking Place (La Guerre d‘Iran n’a pas lieu)
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The Iran War is Not Taking Place (La Guerre d‘Iran n’a pas lieu)

The signs of the real have replaced reality itself. What is authentically original in events and experiences is replaced by the image, the rhetorical, the virtual, the electronic, and the digitalized. The language of demagogic propaganda has replaced concern for facts, truth, and genuine communication. Yet when simulacra become so widespread and dominant, we move beyond simple replacement. The simulacra begin to interact with one another. Lies talk with lies. Rhetoric blends with other rhetoric.
UR-RA – Unity of Religions, Responsibility of Art
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UR-RA – Unity of Religions, Responsibility of Art

Il convegno si presenta come una vera e propria “stanza di pensiero vivo”, in cui il pensiero-arte di Pistoletto incontra le Contemporary Humanities, la formazione, le prospettive quantum-like, la spiritualità non confessionale e l’intelligenza artificiale, per contribuire alla definizione delle possibili Scienze della Vita Contemporanee.
Massimo Cittadini e le arti interattive in Italia. Pratiche, contesti ed eredità
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Massimo Cittadini e le arti interattive in Italia. Pratiche, contesti ed eredità

L’Accademia di Belle Arti di Carrara presenta “Massimo Contrasto”, un progetto articolato in due giornate di studio, una mostra e una pubblicazione multimediale, dedicato alla figura di Massimo Cittadini (1959–2024), artista, docente e tra i fondatori della Scuola di Nuove Tecnologie dell’Arte.
Microbial fuel cell world championship
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Microbial fuel cell world championship

MudTronics is a collaborative competition that brings together bio, tech, and art/design to explore what we can do with microbial fuel cells. Participants experiment with turning mud, wastewater and microbes into power, creating prototypes that are playful, critical, and ecologically grounded.
Un “affresco” contemporaneo dell’acqua e della vita / A Contemporary “Fresco” of Water and Life
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Un “affresco” contemporaneo dell’acqua e della vita / A Contemporary “Fresco” of Water and Life

[ITA] Fossilized Futures mira a evocare sensibilità di cura, empatia e consapevolezza etica. Sfida i visitatori a confrontarsi con la propria responsabilità all’interno di fragili sistemi ecologici. [ENG] Fossilized Futures aims to evoke sensibilities of care, empathy, and ethical awareness. It challenges visitors to confront their responsibility within fragile ecological systems.

Interview with Živa Ljubec

Interview with Kerstin Borchhardt

Interview with Claudia Schnugg

Interview with Gabriele Romeo

Interview with Marta de Menezes

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil