How does technology inform, shape, mediate and constrain our conceptions and practices of performance? This issue begins with an expanded understanding of ‘technology’. Not only specific technologies (notation, the oboe, recording, the internet, VR), but also wider technological discourses of practical, environment, and conceptual thought-space (heliocentrism, the steam engine, computation and our common extended reality).
Computational Creativity (or CC) is a discipline with roots in Artificial Intelligence (AI), Cognitive Science, Engineering, Design, Psychology and Philosophy, and which explores the potential for computers to be autonomous creators in their own right. ICCC is an annual conference that welcomes papers on different aspects of CC, on systems that exhibit varying degrees of creative autonomy, on frameworks that offer greater clarity for thinking about machine (and human) creativity, on methodologie...
In an era of global crisis — ecologic and economic; sanitary and socio-political — symbiosis is a notion that allows us to explore the metamorphoses afoot and to imagine possible futures. This symposium offers an incubator where artists, designers, scientists, and other thinkers will dialogue and debate on process and practice, exhibiting novel projects along the way.
What is evident when exploring these optical histories is the primacy of space for the structuring of experience, and how spatial ontology is continuously redefined by milestones in screen technology development. By reflecting on historical precedents, how might this further enrich our understanding of the materiality of screen as media?
The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette, prize money ranging up to € 10,000 per category and an opportunity to showcase their talents at the famed Ars Electronica Festival in Linz.
The need to preserve the history of the rapidly evolving field of new media arts has spurred the development of a wide variety of new media art archives throughout the world. Museums, cultural and educational institutions, as well as individuals with collections have developed, or are planning to create, physical and/or online archives in an effort to preserve important artifacts and document events and works.
The SIGGRAPH community has a unique story and skillset that diversifies, enhances, and transforms our industry. SIGGRAPH 2022 is committed to celebrating these perspectives by supporting diversity and inclusion and elevating all voices through our content and experiences.
ICCC is an annual conference that welcomes papers on different aspects of CC, on systems that exhibit varying degrees of creative autonomy, on frameworks that offer greater clarity or computational felicity for thinking about machine (and human) creativity, on methodologies for building or evaluating CC systems, on approaches to teaching CC in schools and universities or to promoting societal uptake of CC as a field and as a technology, and so on.
Artists across creative disciplines, countries and at any stage of their career are invited to submit an application to participate in the Resonances IV Summer School. As a melting pot of perspectives and disciplines, the Summer School will be a fertile ground for fermenting ideas on the theme of "NaturArchy: Towards a Natural Contract".
DOORS – Digital Incubator for Museums comes to support museums at a moment in which attitudes towards the digitalisation of the sector are changing. The accelerated pace of technological and digital developments and the pressure coming from the competition with on-demand content creates not only haunting insecurity but also a strong desire for change in the sector.
MediaFutures is a three year European innovation project (supported by the European Union’s Horizon 2020 research and innovation programme) which aims at contributing to high-quality media activities. MediaFutures establishes a data-driven innovation hub to offer grant funding and support for startups and artists through three Open Calls.
ABRA (Artificial Biology, Robotics, and Art) is an Erasmus+ consortium project for developing transdisciplinary education in arts, robotics, artificial biology, and sustainability. Through hands-on workshops and training, teachers and students tackle the skill-gaps within these disciplines while also addressing sustainability and climate goals. In this entanglement, new questions and new solutions are expected to be generated.
Today, Arts at CERN launches a new call for Collide, its flagship residency programme, in partnership with the City of Barcelona. Artists from all around the world are invited to submit their proposals for a research-led residency. The laureate, an individual artist or artistic collective, will be invited to spend three months dedicated to artistic research and exploration between CERN and Barcelona.
Le festival propose une programmation de courts, moyens et longs métrages (documentaire, fiction, expérimental, art vidéo, animation…) issus d’une sélection internationale, et dont le thème et/ou la démarche témoignent d’une forte proximité (ou affinité) avec des champs de la recherche scientifique (incluant les sciences humaines et sociales).
[ITA] L’Associazione VILLAM con Arshake. Reinventing Technology lancia una open call per giovani makers (under 35) nell’ambito di robotica, ricerca dati, droni, nano-scienza, riciclo.
[ENG] VILLAM with Arshake. Reinventing Technology is launching an open call for young makers (under 35) in the fields of robotics, data research, AI, drones, nano-science recycling.
We are interested in a range of approaches including those from the past and those from the bleeding edge, using out of the box or homespun tools. Still images of any kind are welcome as our ultimate goal is to not only establish how digital methods are essential to image making, but also to highlight and perhaps remind us that the single image is still powerful and still important now, more than ever.
Through its multidisciplinary program Athens Digital Arts Festival offers a wide range of Exhibitions, Screenings, Live Performances, Workshops and International Tributes showcasing artworks that display distinctive characteristics of the digital medium and reflect on its language and aesthetics.
How to draw new Possibles to come, and not just confirming those that are there waiting to be confirmed, experienced and thought, as Possibles that can be brought to existence in our worldview? How to move from the impossible, the fable or the utopia to directly bite into our reality? The Possible is inscribed within the arts, design, sciences and technologies that surround us now and those yet to come.
We believe this will be East Asia’s first conference on art and ecology. Our hope is that this conference will bring together researchers and practitioners working in the intersections of art, ecology, indigeneity, geopolitics, and STS (science and technology studies) to build a cross-regional network of sustainable collaboration.
EvoStar is organised by SPECIES, the Society for the Promotion of Evolutionary Computation in Europe and its Surroundings. This non-profit academic society is committed to promoting evolutionary algorithmic thinking, with inspiration of parallel algorithms derived from natural processes.
FeLT- Futures of Living Technologies engages in the relations and intersections that occur between human beings, living environments and machines, relations on the edge of how we experience aliveness today.
Through the CMCC Climate Change Communication Award “Rebecca Ballestra”, the CMCC Foundation is awarding the best communication initiatives that spread awareness on climate change through education, advocacy, media production and social engagement activities.
Since 2014, Arts at CERN and the Swiss Arts Council Pro Helvetia have been working together to foster experimentation through the arts in connection with fundamental research. For the next four years, this partnership will be taken to the next level as part of Pro Helvetia’s “Arts, Science and Technology” focus to support artistic exploration across different fields. Together, Arts at CERN and Pro Helvetia are launching “Connect”, a new collaboration framework that will serve as a plat...
In scholarship the Anthropocene has been tied up with the experience of the unthinkable by thinkers including Timothy Morton, Donna Haraway, and Amitav Ghosh. Yet, the current COVID-19 pandemic—which as a crisis also exemplifies the human impact on and a reshaping of environments—challenges the pervasiveness of the key concepts of abstraction and unthinkability. Instead, the pandemic has turned the Anthropocene into a concrete, intensely lived, globally shared experience.
Recent events across the world of academia have brought into full light the various agendas around online education and research. As universities, schools and colleges closed across the world in 2020, researchers, teachers and students scrambled to adapt to a whole host of new pedagogical tools, communicative techniques, learning methods and teaching styles almost overnight. Some survived, others thrived, while some struggled and ultimately went ‘out of business’.
These developments in AI pose a significant threat to many design professionals who will be replaced by artificial intelligence that will make human labour redundant. However, the integration of AI systems into the design process also provides new opportunities: collaboration with AI systems allows for design on a level of complexity and scale that human cognition cannot encompass. Therefore, based on the recognition of the creative capabilities of the machine, the challenge for designers today ...
Since 1993, this conference series brings together artists, scientists, designers, educators, and researchers to more deeply understand how people engage individually and socially in creative processes and how computation and other technology can affect creative outcomes.