New ways of using space are emerging and moving towards real time management. The architect has perhaps become a super programmer? In this perspective, we can say that the present city is partly an expression of the 20th century urban and technological utopianism.
[ITA] Il fenomeno Media Art nasce dalle relazioni che hanno caratterizzato il mondo degli audiovisivi, del cinema, dei media e dell’arte contemporanea. Un percorso che riguarda anche una diversa figura del cineasta e dell’artista, sempre più preso nelle metamorfosi audiovisive e tecnologiche.
[ENG] The phenomenon of Media Art arises from the connections that have affected the world of audiovisual, cinema, media and contemporary arts. A new way that entails a new image for filmmakers and artists, who are more and more involved in audiovisual and technological changes.
[ITA] Si è conclusa la ventisettesima edizione di transmediale15, nell’incontro tra cultura ed età post-digitale. Una riflessione sul tema “del futuro del lavoro e della vita algoritmica”.
[ENG] The twenty-seven edition of transmediale15 took place into the cutting edge of culture in the post-digital age. A reflection on “the future of algorithmic work and life”.
[ITA] Se penso alla luce penso a un’energia e penso a quegli organi – come l’occhioo – che la rivelano, come scrisse Gyorgy Kepes.
[ENG] If I think about light I think about an energy and I think about those organs – like the eye – that reveal it, as Gyorgy Kepes wrote.
When funding is not linked to a specific exhibition space – and traditional exhibition spaces can represent a noticeable part of a production budget – the incentive to work in a traditional white cube disappears.
[ITA] Cambiano i tempi ma David Cronenberg, regista etichettato come il Barone del Sangue, non si smentisce.
[ENG] The time is changed but David Cronenberg, the director too labeled as the Baron of Blood, makes no exceptions.
Rhizome, long before that it became the inspired intro of Mille Plateaux, was published as a stand-alone essay, influencing – in the second half of the seventies – student movements, workerist organisations and political groups.
What does it take to change? Creativity, catalysts, craving, community, control? The letter “c” seems to incorporate many or most parameters for technical, social, and artistic development, no other letter could have provided a better thematic structure for the festival’s multiple ways of finding answers or asking new questions about change.
C… what it takes to change? Una visione postcritica su/A postcriticism vision about Ars Electronica 2014
[ITA] Che cosa ci vuole per cambiare? La mission di Ars Electronica di quest’anno è stata quella di trovare qualche risposta a una nuova fase di cambiamento.
[ENG] What it takes to change? The mission of Ars Electronica was to discover what leads change and to call for answers from different directions and disciplines.
In 1964 the Canadian scholar Marshall McLuhan published his seminal book “Understanding Media: The Extensions of Man”, that gave a new sap to the media studies introducing new perspectives. He suggested that “the medium is the message”, namely that the media affect the society in which they play a role.
[…] Nevertheless we can find an explicit use of “pattern” as a technical word in a variety of disciplines ranging from science or art to craftsmanship, such as tailoring, software design, architecture, finance, trading, knitting, interface design, decoration, data mining, machine learning, medical diagnosis and many more.