A Different Theory of Mediation for Technospaces


Diffractive Technospaces undertakes a redefinition of the relationship between space and representation, beginning from a revision of both according to a performative, non-representational perspective. Here, representation is not refused, but differently articulated in a relation of reciprocity with the same articulation of technospaces.

Read More

The Tesseract: between mediated consciousness and embodiment

The tesseract is a gravitational wormhole that represents the physical compression of space that circumvents time in order to move from one location in spacetime to another. The index, as part of the body, but also the mechanism for applying a collapsed signification, requires both utterance (mediation) and event (temporal-frame) in order to create cognitive meaning.

Read More

Sul concetto di Media Art / On the Notion of Media Art

[ITA] Il fenomeno Media Art nasce dalle relazioni che hanno caratterizzato il mondo degli audiovisivi, del cinema, dei media e dell’arte contemporanea.
[ENG] The phenomenon of Media Art arises from the connections that have affected the world of audiovisual, cinema, media and contemporary arts.

Read More

Architectures of Interaction, Architectures of Communication

New ways of using space are emerging and moving towards real time management. The architect has perhaps become a super programmer? In this perspective, we can say that the present city is partly an expression of the 20th century urban and technological utopianism.

Read More

Transmediale15: a reflection about algorithmic life

[ITA] Si è conclusa la ventisettesima edizione di transmediale15, nell’incontro tra cultura ed età post-digitale. Una riflessione sul tema “del futuro del lavoro e della vita algoritmica”.
[ENG] The twenty-seven edition of transmediale15 took place into the cutting edge of culture in the post-digital age. A reflection on “the future of algorithmic work and life”.

Read More

Luci, tecnologie, arti… / Lights, Technologies, Arts…

[ITA] Se penso alla luce penso a un’energia e penso a quegli organi – come l’occhioo – che la rivelano, come scrisse Gyorgy Kepes.
[ENG] If I think about light I think about an energy and I think about those organs – like the eye – that reveal it, as Gyorgy Kepes wrote.

Read More

Exhibiting Elsewhere

When funding is not linked to a specific exhibition space – and traditional exhibition spaces can represent a noticeable part of a production budget – the incentive to work in a traditional white cube disappears.

Read More

Giornalisti? ‘Cani da carne’ in salsa high-tech / Journalists? ‘Meat dog’ with high-tech sauce

[ITA] Cambiano i tempi ma David Cronenberg, regista etichettato come il Barone del Sangue, non si smentisce.
[ENG] The time is changed but David Cronenberg, the director too labeled as the Baron of Blood, makes no exceptions.

Read More

Rhizome as an open system: some notes

Rhizome, long before that it became the inspired intro of Mille Plateaux, was published as a stand-alone essay, influencing – in the second half of the seventies – student movements, workerist organisations and political groups.

Read More

What does it take… Notes on Ars Electronica 2014

What does it take to change? Creativity, catalysts, craving, community, control? The letter “c” seems to incorporate many or most parameters for technical, social, and artistic development, no other letter could have provided a better thematic structure for the festival’s multiple ways of finding answers or asking new questions about change.

Read More

C… what it takes to change? Una visione postcritica su/A postcriticism vision about Ars Electronica 2014

[ITA] Che cosa ci vuole per cambiare? La mission di Ars Electronica di quest’anno è stata quella di trovare qualche risposta a una nuova fase di cambiamento.
[ENG] What it takes to change? The mission of Ars Electronica was to discover what leads change and to call for answers from different directions and disciplines.

Read More

McLuhan’s “Understanding Media” is 50

In the Name of the Pattern

Subtle Technologies 2014. Open Culture in Art and Science – A reportage

After the afterglow (Transmediale14). For an undisciplined research

Thesis on the Interface-Database Dichotomy

Tapzy: a post-(human)Iconkiller?

Art and Science as the Conjectured Possible

Apple returns to the symbolic

Homo nudus atque apertus: the maps of Doris Graf

Total recall: The (re-) evolution of memory?

Next Step – guide to video mapping and not only

Aesthetics of transition. New metric of the body

Political Philosophy of the Information Society

Intervista a Gwenn-Aël Lynn / Interview to Gwenn-Aël Lynn

A Different Theory of Mediation for Technospaces

Noema’s n.blog & Subtle Technologies

What is the Meaning of Life?

Perturbazioni volontarie