The challenges of the 21st century require new ways of thinking, making it crucial for educators and policy makers to understand the processes of creative thinking and achievement. […] Emotions are central to all art forms, from painting and sculpture, to music, film, theatre and other arts.
[ITA] Berg è quindi una geografia emozionale, dove si ricerca un piano di significazione differente consegnando all’utente la facoltà di attivazione di un processo desiderante e relazionale con lo spazio.
[ENG] Berg maps an emotional geography, where the listener finds a different signification level in assigning the user with the option of activating a desiring and relational process with the space.
In general sense, representation is a term which implies a distance between a subject and its reproduction. This reproduction must be considered in equal way, in any form of mediated experience. However, our aim is to focus on visual representation and to expose the seams that it wants to hide.
[ITA] La Cura attiva un processo biopolitico per un progetto open source applicato alla medicina, dove si riconquista il valore di corpo umano, non più delegato come massa da sezionare bensì come risultante di una storia personale ed intima.
[ENG] La Cura generated a bio-political process, an open source project applied to medicine, where the human body re-earns the value of its humanity, no longer seen as matter to be cut, but rather as the result of a personal and intimate story.
In this paper I use a recent research creation project and its mobile component (the TiP lab) to draw attention to the importance of regarding the city as an entanglement of sometimes evident, sometimes hidden naturecultural geographies and more-than-human encounters. I argue that while official narratives are not interested in narrating such vibrant multidimensionality, traditional cartographic practices don’t seem to be able to seize them.
[ITA] Gli elementi selezionati sono destinati a influenzare profondamente la società, la dimensione politica e sociale, la vita quotidiana, le abitudini, in un periodo di tempo che va dall’altro ieri a un futuro remoto.
[ENG] The selected items will profoundly influence society, politics and social dimensions, everyday life, habits, over a period of time ranging from the day before yesterday to a remote future.
[ITA] In occasione dei 15 anni di attività Noema lancia una survey per tutti quelli che sono interessati alle relazioni tra cultura, società, scienze e tecnologie. I risultati saranno pubblicati online, a beneficio di tutti.
[ENG] On the occasion of 15 years of activity Noema launches a survey for all the people interested in the relationships and influences among culture, society, sciences and technology. The results will be published online, for the benefit of all.
[ITA] Social network, smartphone, biotecnologie, 11 Settembre e finanziarizzazione dell’economia gli elementi fondamentali nel rapporto tra tecnologie e società.
[ENG] In the last 15 years social networks, smartphones, biotechnologies, 11 September and the financialisation of economy the main factors in the relationships among technology and society.
[ITA] A Transmediale si è riflettuto sugli aspetti della vita contemporanea nell’epoca del capitalismo digitale: quali sono le attività e i comportamenti che la caratterizzano?
[ENG] Transmediale’s focus was on aspects of contemporary life in the age of digital capitalism: what are the activities and behaviors that characterize it?
The fusion of human and technology takes us into an unheard world, populated by quasi-living species that would relegate us to the rank of alienated agents, emptied of their identity and consciousness. I argue instead that our world is woven by simple, though invisible, perspectives, which may renew our ability of judgment and our autonomy, I have called Anoptical Perspectives.
According to Edward O. Wilson, human beings have an “innate tendency to focus on life and lifelike processes.” And art writer Jack Burnham even maintained that “art is a form of biological signal”.
Diffractive Technospaces undertakes a redefinition of the relationship between space and representation, beginning from a revision of both according to a performative, non-representational perspective. Here, representation is not refused, but differently articulated in a relation of reciprocity with the same articulation of technospaces.