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The Digital Outlaws: Hackers as Imagined Communities

t should be clear that I regard any definition of hackers (...) as quite pointless: it is the purpose of this article to describe the semiotic fight of the term, not to state a scholarly definition. Without the help from influential hacker figures, this endeavor, of course, would have been impossible. But with the many comments that I got, I hope that this paper will shake some of the established ways of thinking about hackers and digital culture a little, and maybe even lead on to a more ground...

The Language of Tactical Media

The future is a series of small steps leading away from the wreckage of the past, sometimes its actors walk face forward, blind to the history played out behind their backs, other times, they walk backwards, seeing only the unfulfilled destiny of a vanished time. The promise of the tactical media of the future – the end of the spectacular media circus as everyone begins to lay their hands on cheap 'do it yourself' media technologies made possible by new forms of production and distribution – was...

Artistic Software for Dummies

At the basis of each piece of software there are definite algorithms, but if conventional programs are instruments serving purely pragmatic purposes, the result of the work of artistic programs often finds itself outside of the pragmatic and the rational. Because the process of the digitalisation of culture and other components of social life is inevitable, it is necessary to consider adequate ideas and mechanisms for the transfer of those spheres into digital space, to find adequate conditions ...

Michael Hardt: New Forms of Power

The book proposes two concepts, empire as a form of power, and multitude names both the subject that is exploited by empire, that is controlled by empire, the subject whose labor and activity supports empire, but it also is the subject that has the potential to create an alternative society. Now, it seems to me that the concept of multitude in our book is used in at least two ways – that itself constitutes one of contradictions in our book. In certain ways it's a very self-contradictory book, wh...

Algorithms and Allegories

I was writing and thinking about the algorithmic and the allegoric. I've been struck by how so much contemporary art practice has been informed by the algorithmic. Having done work in information engines and various net art pieces using algorithms for the display and organization of information, I was equally intrigued by what we get after we've deployed all these little engines and are outside the event of instructions. Do we start from outside or inside? Even though the boundary of these thing...

Interview with Marta de Menezes

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil