The other day I was having a discussion with someone about dance making and interactive systems and the 'transparency' issue as regards the receptivity of an audience to the aspects of the work that might be invisible. What is being considered *invisible* in this context is the mapping from input to various forms of output - and this mapping is essentially the consequence of someone providing the instructions for the computer, telling it what to do.
NullPointer has recently released a beta-version of a new web visualisation application, WebTracer. [...] The application deals with sites and pages as molecules and atoms, the resulting cellular structures reflect the information structures of the web. I find that the representation of the many shells and layers that guide our exploration and expliotation of cyberspace can help to reinforce the awareness that all information systems are guided by a great number of defining elements. The Hardwar...
The integrity of the original artwork is only fully intact in the imagination of its creator. Even its translation into the physical is a depreciation forced by the contraints of materiality, and exposure of the artwork to the social leads to the complete degradation/reconstruction of the 'original' by its intepretors and manipulators. On the other hand it is only in this social vector that the artwork becomes a cultural artifact and assumes a historical significance. The 'original spirit' must ...
A brief look into the political economy of bandwidth could help. The question of internet speed is and will always be determined by economics and (cyber)geography, as the maps show, not per se by the technology used at the consumer's end. Speed on the internet is moody and in constant flux, not only depending on one's investment in hardware, locality and available connectivity. Speed is subjective and cultural experience. A whole range of unknown factors can bring the undisturbed surfing to a su...