Computational Creativity (or CC) is a discipline with roots in Artificial Intelligence (AI), Cognitive Science, Engineering, Design, Psychology and Philosophy, and which explores the potential for computers to be autonomous creators in their own right. ICCC is an annual conference that welcomes papers on different aspects of CC, on systems that exhibit varying degrees of creative autonomy, on frameworks that offer greater clarity for thinking about machine (and human) creativity, on methodologie...
ICCC is an annual conference that welcomes papers on different aspects of CC, on systems that exhibit varying degrees of creative autonomy, on frameworks that offer greater clarity or computational felicity for thinking about machine (and human) creativity, on methodologies for building or evaluating CC systems, on approaches to teaching CC in schools and universities or to promoting societal uptake of CC as a field and as a technology, and so on.
EvoStar is organised by SPECIES, the Society for the Promotion of Evolutionary Computation in Europe and its Surroundings. This non-profit academic society is committed to promoting evolutionary algorithmic thinking, with inspiration of parallel algorithms derived from natural processes.
xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all. The focus of xCoAx is on the unpredictable overlaps between the freedom of creativity and the rules of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.
As artists and designers create never-before-heard sounds and images of never-before-seen faces, explore new processes for human-machine co-creation and infinitely parameterize the design of objects, are we at the dawn of a new paradigm in creative practice?
Computational Creativity (or CC) is a discipline with its roots in Artificial Intelligence, Cognitive Science, Engineering, Design, Psychology and Philosophy that explores the potential for computers to be autonomous creators in their own right.
Rather than understanding algorithms as existing and transparent tools, the ALMAT Symposium is interested in their genealogical, processual aspects and their transformative potential.
We contemplate how to abstract these processes such that in time a machinic system may define its own sense of creativity through enculturation, and later though its own sense of abstraction, expanded conversation, and human/machine socialization. In fact the autonomous machine may develop completely new aesthetic forms that humans have never considered.