Adam Zaretsky: Transgenic Ecology, An Oxymoron?
![The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes [Part 2. Interview to Eduardo Kac]](https://noemalab.eu/wp-content/uploads/2021/04/kac_interview-450x350.jpg)
Tagged as: computational creativity
EvoStar 2022
EvoStar is organised by SPECIES, the Society for the Promotion of Evolutionary Computation in Europe and its Surroundings. This non-profit academic society is committed to promoting evolutionary algorithmic thinking, with inspiration of parallel algorithms derived from natural processes.
xCoAx 2021 9th Conference on Computation, Communication, Aesthetics & X
xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all. The focus of xCoAx is on the unpredictable overlaps between the freedom of creativity and the rules of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.
Artificial Intelligence, Machine Learning and Generative Models in the Arts and Design
As artists and designers create never-before-heard sounds and images of never-before-seen faces, explore new processes for human-machine co-creation and infinitely parameterize the design of objects, are we at the dawn of a new paradigm in creative practice?
International Conference on Computational Creativity, ICCC’20
Computational Creativity (or CC) is a discipline with its roots in Artificial Intelligence, Cognitive Science, Engineering, Design, Psychology and Philosophy that explores the potential for computers to be autonomous creators in their own right.
Algorithms that Matter
Rather than understanding algorithms as existing and transparent tools, the ALMAT Symposium is interested in their genealogical, processual aspects and their transformative potential.
Language and Computational Creativity
We contemplate how to abstract these processes such that in time a machinic system may define its own sense of creativity through enculturation, and later though its own sense of abstraction, expanded conversation, and human/machine socialization. In fact the autonomous machine may develop completely new aesthetic forms that humans have never considered.