L’art numérique, un art contemporain? / L’arte digitale, un’arte contemporanea?
Tagged as: cinema
Expanded Cinema, Fiftieth Anniversary Edition
First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the Bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world.
Appel à films/Call for films/RISC 13
Le festival propose de découvrir une programmation de courts, moyens et longs métrages (documentaire, fiction, expérimental, art vidéo, animation…) issus d’une sélection internationale, et dont le thème et/ou la démarche témoignent d’une forte proximité (ou affinité) avec des champs de la recherche scientifique.
Simulation beyond perspective
Holography suggests a new visual universe within a culture where the visual simulation is the most effective communication system; and it let us reflect about the need for a more comprehensive definition of “image”. We can believe that future images will also be holographic and that we shall communicate more and more through them, in a delicate balance between presence and absence, immediacy and remoteness, present and past, materiality and immateriality, matter and energy.
Intervista a Valenti su Luzzati e Gianini
La tecnica partiva dalla musica e dalla ricerca del sincronismo con la musica. La perfezione di questo sincronismo è tuttora ammirevole.
Future Film Festival 2003
Il Future Film Festival, come ogni anno, ha presentato una ricca offerta delle maggiori case di produzione di effetti speciali digitali presenti nel mondo.