We are interested in a range of approaches including those from the past and those from the bleeding edge, using out of the box or homespun tools. Still images of any kind are welcome as our ultimate goal is to not only establish how digital methods are essential to image making, but also to highlight and perhaps remind us that the single image is still powerful and still important now, more than ever.
In 2019 I visited the “Spiral Jetty” twice: alone right after my arrival in Utah, and on the morning of a late summer day when I had to fly back to Italy. That was when I shot the video-performance “Vanishing Point” influenced by Smithson’s idea of entropy and disruption, and his interest in geology, time sediments, location identity (Kwon, 2002), and environment that are widely investigated in his writings (1996).