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Pink Water Landscapes of Artifice. On Smithson’s “Spiral Jetty” Heritage in the Making of “Vanishing Point”
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Pink Water Landscapes of Artifice. On Smithson’s “Spiral Jetty” Heritage in the Making of “Vanishing Point”

In 2019 I visited the “Spiral Jetty” twice: alone right after my arrival in Utah, and on the morning of a late summer day when I had to fly back to Italy. That was when I shot the video-performance “Vanishing Point” influenced by Smithson’s idea of entropy and disruption, and his interest in geology, time sediments, location identity (Kwon, 2002), and environment that are widely investigated in his writings (1996).
Exhibiting Elsewhere
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Exhibiting Elsewhere

When funding is not linked to a specific exhibition space – and traditional exhibition spaces can represent a noticeable part of a production budget – the incentive to work in a traditional white cube disappears.

Interview with Marta de Menezes

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil