Tagged as: art biotech
Adam Zaretsky: Transgenic Ecology, An Oxymoron?
By Adam Zaretsky Adam Zaretsky is an American Wet-Lab Art Practitioner mixing Ecology, Biotechnology, Non-human Relations, Body Performance and Gastronomy. Makery invites him for a summer series of speculative texts based on his own artistic practice and the ethical and philosophical questions he raises regarding contemporary biological research. As a follow-up to the Open Source Body symposium and festival organised by the Makery medialab this May at the Cité Internati...
The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes [Part 2. Interview to Eduardo Kac]
I create form, I create form that gives itself to the senses which is to say, form that provides an aesthetic experience. That is what I do and that is what art is supposed to do. What is particular in what I do, that is unique and underpins all of my interests, is that early on in my life I understood that life could not fold into haze: either we would find ourselves in a condition that we would be free or we would find ourselves in a condition that we would not be free.
Roots & Seeds XXI. Biodiversity Crisis and Plant Resistance
OPEN CALL TO INTERNATIONAL ARTISTS AND CURATORS LIVING IN EUROPE To Support the production of two artworks and one research residency GUIDELINES Roots & Seeds XXI. Biodiversity Crisis and Plant Resistance is an international cooperation project developed by Ars Electronica, Leonardo/Olats, University of Barcelona and Quo Artis as lead partner. Roots & Seeds XXI aims to promote sustainable habits through the use of Art & Science’s approaches and practices. The project wants ...
Open Call: Ars Bioartica residency programme 2021-22
Since 2010 the Bioart Society is organizing the ARS BIOARCTICA RESIDENCY PROGRAMME together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland in the traditional Sami lands. The residency has an emphasis on the subarctic environment and art and science collaboration.
Reweaving Ourselves, Part Two: Technology for a Disoriented Humanity
Wed, Nov 18, 5:00–6:00 pm (EST) moma.org Registration required Organized by the Cisneros Institute at MoMA, in this event artist Eduardo Kac will present his explorations of Bio Art and his work in the context of an expanded conception of ecology. Architectural historian Felicity Scott will speak about the impact of cybernetics on the artistic production of the 1960s and 1970s, and her particular research on the work of Juan Downey and Les Levine. They will engage in a conversat...
The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes [Part 1. Topics and issues]
Eduardo Kac has raised many nodal questions on the transformations of society and culture, in a constant creative relationship with the technology and the science of his time. In his research communication, intended as mutual information exchange is a fundamental topic. This makes Kac a perfect interpreter of the resources and contradictions of the contemporary, with a strong vision on how the present time can possibly develop and evolve into the future.
Oocyte Aesthetic, Human Design and Mission Creep
The admixture of global interspecies variety through genetic engineering and the cloning of spectacular hereditary cascades should only be approved through an aesthetic advisory commission made up of artists, art historians and oﬀ-the-locus aesthetics specialists. The future of style and the avoidance of our populous birthing any aesthetic hazards are dependent on collaboration between new reproductive biotechnology and the Arts.
La vita è un medium. Un censimento sull’arte transgenica / Life is a medium. A census on transgenic art
[ITA] L’arte transgenica si fa indagine sulla vita, favorisce un’importante e profonda relazione tra artista, pubblico e organismo transgenico. [ENG] Transgenic art becomes an investigation into life, it fosters an important and deep relationship between the artist, the audience and the transgenic organism.
Art|Science and the New European Bauhaus
We think that while current covid-times are dire, all the elements are present to take up the legacy of the Bauhaus as a new reflexive transdisciplinarity, to push decidedly into uncharted territories and start shaping an as yet unknown future. The SciArt movement has been showing this new direction, with growing strength, since the middle of the last century.
Telepresenza e Bioarte: l’arte dialogica di Kac / Telepresence & BioArt: Kac’s dialogic art
[ITA] L'artista brasiliano è stato uno dei pionieri dell'arte e della telecomunicazione durante gli anni Ottanta, per poi realizzare opere radicali e importanti che mettono in gioco la teleroborotica e gli organismi viventi, innescando nuove domande, confronti e anche scontri, dove l'etica e l'estetica coabitano in maniera dialogica nella complessità del mondo digitale. [ENG] The Brazilian artist was one of the pioneers of telecommunication art during the 1980s, and then carried out radical and...
My Monster: The Human Animal Hybrid
RMIT Gallery Melbourne VIC, Australia 29 Jun 11:00am - 18 Aug 5:00pm Free Curator: Evelyn Tsitas "My Monster: The Human Animal Hybrid" explores our enduring fascination and revulsion with the merging of the human and animal, and coincides with the 200th anniversary year of the publication of Mary Shelley’s Frankenstein. Shelley’s seminal monster novel explores life and death and reanimating flesh. It is also the story of a hybrid outcast, for Frankenstein’s creature was made as a...
Perceiving, Feeling, Interpreting, Storytelling: The Art of Art-Science
With Leonardo/Olats, I had the great opportunity to follow the FEAT project. FEAT stands for ‘Future Emerging Art and Technology’. It was an EU funded project during which artists were in residence over 9 months in FET/Future Emerging Technology consortia, FET being one of the cutting-edge scientific research programmes of the European Union.
Evolutionary creativity. The inner life and meaning of art
Generative art is a key example of a general transformation carried on by many disciplines, which are going to populate our world with increasingly different subjects. [...] In mirroring nature and life, also the generative art forms and processes are leading to the advent of a “Third Life”, the life that little by little humanity is giving to its artefacts.
Dialogismi e biopoetiche / Dialogisms and biopoetics
[ITA] Il libro raccoglie testi che Kac ha pubblicato nel corso di di dodici anni, la cronaca di un viaggio durante il quale ha sviluppato il suo lavoro e ricerche di telepresenza, biotelematica, biorobotica, arte transgenica. [ENG] The book brings together texts that Kac published over twelve years, a chronicle of a journey as he says, during which he developed his work and researches with telepresence, biotelematics, biorobotics, transgenic art.
Intervista a Gwenn-Aël Lynn / Interview to Gwenn-Aël Lynn
[ITA] Gwenn-Aël Lynn è un artista franco-americano la cui ricerca fa uso di linguaggi e strumenti non tradizionali e si sviluppa intorno a tematiche trans-culturali. [ENG] Gwenn Aël-Lynn is a french-american artist whose research uses non-traditional languages and tools and also focuses on transcultural themes.
Researching the Future: Aspects of Art and Technoetics 2007
Il 7, 8, 9 Dicembre per tutti gli interessati all'Arte Telematica, Audio Art, Computer Art, Digital Art, Arte Elettronica, Arte Generativa, Artivismo, Hacker Art, Arte Interattiva, Internet Art, Media Technology Art, Performance Art, Robotic Art, Software Art, Sound Art, Video Arte, Video Game Art, Bioart e ai rapporti, oggi centrali tra Arte, Tecnologia e Scienza ci sar? la possibilit? di partecipare al congresso di ricerca che il gruppo di artisti-ricercatori del Planetary Collegium dar? vita ...