Loading posts...
Oocyte Aesthetic, Human Design and Mission Creep
View

Oocyte Aesthetic, Human Design and Mission Creep

The admixture of global interspecies variety through genetic engineering and the cloning of spectacular hereditary cascades should only be approved through an aesthetic advisory commission made up of artists, art historians and off-the-locus aesthetics specialists. The future of style and the avoidance of our populous birthing any aesthetic hazards are dependent on collaboration between new reproductive biotechnology and the Arts.
La vita è un medium. Un censimento sull’arte transgenica / Life is a medium. A census on transgenic art
View

La vita è un medium. Un censimento sull’arte transgenica / Life is a medium. A census on transgenic art

[ITA] L’arte transgenica si fa indagine sulla vita, favorisce un’importante e profonda relazione tra artista, pubblico e organismo transgenico. [ENG] Transgenic art becomes an investigation into life, it fosters an important and deep relationship between the artist, the audience and the transgenic organism.
Telepresenza e Bioarte: l’arte dialogica di Kac / Telepresence & BioArt: Kac’s dialogic art
View

Telepresenza e Bioarte: l’arte dialogica di Kac / Telepresence & BioArt: Kac’s dialogic art

[ITA] L'artista brasiliano è stato uno dei pionieri dell'arte e della telecomunicazione durante gli anni Ottanta, per poi realizzare opere radicali e importanti che mettono in gioco la teleroborotica e gli organismi viventi, innescando nuove domande, confronti e anche scontri, dove l'etica e l'estetica coabitano in maniera dialogica nella complessità del mondo digitale. [ENG] The Brazilian artist was one of the pioneers of telecommunication art during the 1980s, and then carried out radical and...
My Monster: The Human Animal Hybrid
View

My Monster: The Human Animal Hybrid

RMIT Gallery Melbourne VIC, Australia 29 Jun 11:00am - 18 Aug 5:00pm Free Curator: Evelyn Tsitas "My Monster: The Human Animal Hybrid" explores our enduring fascination and revulsion with the merging of the human and animal, and coincides with the 200th anniversary year of the publication of Mary Shelley’s Frankenstein. Shelley’s seminal monster novel explores life and death and reanimating flesh. It is also the story of a hybrid outcast, for Frankenstein’s creature was made as a...
Perceiving, Feeling, Interpreting, Storytelling: The Art of Art-Science
View

Perceiving, Feeling, Interpreting, Storytelling: The Art of Art-Science

With Leonardo/Olats, I had the great opportunity to follow the FEAT project. FEAT stands for ‘Future Emerging Art and Technology’. It was an EU funded project during which artists were in residence over 9 months in FET/Future Emerging Technology consortia, FET being one of the cutting-edge scientific research programmes of the European Union.
Evolutionary creativity. The inner life and meaning of art
View

Evolutionary creativity. The inner life and meaning of art

Generative art is a key example of a general transformation carried on by many disciplines, which are going to populate our world with increasingly different subjects. [...] In mirroring nature and life, also the generative art forms and processes are leading to the advent of a “Third Life”, the life that little by little humanity is giving to its artefacts.
Dialogismi e biopoetiche / Dialogisms and biopoetics
View

Dialogismi e biopoetiche / Dialogisms and biopoetics

[ITA] Il libro raccoglie testi che Kac ha pubblicato nel corso di di dodici anni, la cronaca di un viaggio durante il quale ha sviluppato il suo lavoro e ricerche di telepresenza, biotelematica, biorobotica, arte transgenica. [ENG] The book brings together texts that Kac published over twelve years, a chronicle of a journey as he says, during which he developed his work and researches with telepresence, biotelematics, biorobotics, transgenic art.
Intervista a Gwenn-Aël Lynn / Interview to Gwenn-Aël Lynn
View

Intervista a Gwenn-Aël Lynn / Interview to Gwenn-Aël Lynn

[ITA] Gwenn-Aël Lynn è un artista franco-americano la cui ricerca fa uso di linguaggi e strumenti non tradizionali e si sviluppa intorno a tematiche trans-culturali. [ENG] Gwenn Aël-Lynn is a french-american artist whose research uses non-traditional languages ​​and tools and also focuses on transcultural themes.
Researching the Future: Aspects of Art and Technoetics 2007
View

Researching the Future: Aspects of Art and Technoetics 2007

Il 7, 8, 9 Dicembre per tutti gli interessati all'Arte Telematica, Audio Art, Computer Art, Digital Art, Arte Elettronica, Arte Generativa, Artivismo, Hacker Art, Arte Interattiva, Internet Art, Media Technology Art, Performance Art, Robotic Art, Software Art, Sound Art, Video Arte, Video Game Art, Bioart e ai rapporti, oggi centrali tra Arte, Tecnologia e Scienza ci sar? la possibilit? di partecipare al congresso di ricerca che il gruppo di artisti-ricercatori del Planetary Collegium dar? vita ...

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Pavel Smetana

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil