Loading posts...
AI, Beni Culturali e Arte – tra ricerca e creatività – Terzo Workshop
View

AI, Beni Culturali e Arte – tra ricerca e creatività – Terzo Workshop

Il 9 ed il 10 Febbraio torna il workshop organizzato da VisitLab Cineca dedicato alle interconnessioni tra intelligenza artificiale, beni culturali e arte. Più passa il tempo e più ci accorgiamo di quanto ci sia da raccontare su queste relazioni così feconde. Non abbiamo potuto perciò evitare di espandere l’evento su due giorni.
A.Re Days – Artistic Research Days and the European Researchers’ Night
View

A.Re Days – Artistic Research Days and the European Researchers’ Night

Within the framework of EU4ART_differences, the Academy of Fine Arts in Rome is pleased to announce A.Re Days, three days entirely dedicated to Artistic Research, which for the first time will see the participation of the Roman institution in The European Researchers' Night.
AI, Beni Culturali e Arte / AI, Cultural Heritage and Art
View

AI, Beni Culturali e Arte / AI, Cultural Heritage and Art

[ITA] Qual è l'apporto dell’Intelligenza Artificiale nei Beni Culturali e nell’arte? Presso il Cineca una giornata di riflessione e discussione con esperti e artisti, tra cui i vincitori della call di GRIN, parte del progetto europeo S+T+ARTS. [ENG] What is the contribution of Artificial Intelligence in cultural heritage and art? At Cineca a day of reflection and discussion with experts and artists, including the winners of the GRIN call, part of the European S+T+ARTS project.
Leggere la complessità / Reading Complexity
View

Leggere la complessità / Reading Complexity

[ITA] L’evento vuole riflettere sul rapporto tra la cibernetica, e in particolare la ricerca di Silvio Ceccato e le potenzialità dell’Intelligenza Artificiale. [ENG] The event aims to reflect on the relationship between cybernetics, and in particular the research of Silvio Ceccato and the current potential of Artificial Intelligence.
Prompt Generations – Exhibition in Virtual Gallery 3d
View

Prompt Generations – Exhibition in Virtual Gallery 3d

La Generative AI Art può essere considerata una nuova forma di Media distinto dall’Arte Digitale “tradizionale”. Una delle principali differenze è il ruolo dell’artista nel processo di creazione. Nell‘Arte Digitale tradizionale, l’artista ha in genere un alto grado di controllo sull’opera finale, utilizzando strumenti e tecniche digitali per creare l’arte, per esempio codici di programmazione o interfacce grafiche. Al contrario, nella Generative Al Art, l’artista gioca un ruolo più indiretto, fo...
DESAIGN – The Impact of artificial Intelligence (AI) on Contemporary Design
View

DESAIGN – The Impact of artificial Intelligence (AI) on Contemporary Design

These developments in AI pose a significant threat to many design professionals who will be replaced by artificial intelligence that will make human labour redundant. However, the integration of AI systems into the design process also provides new opportunities: collaboration with AI systems allows for design on a level of complexity and scale that human cognition cannot encompass. Therefore, based on the recognition of the creative capabilities of the machine, the challenge for designers today ...
2nd Conference on AI Music Creativity (MuMe + CSMC)
View

2nd Conference on AI Music Creativity (MuMe + CSMC)

Performing [with] machines. The dual meaning of this title hints towards an understanding of the machine as a performing agent in a human-machine partnership. By putting the emphasis on creative human-machine partnerships in performative contexts, this theme aims to encourage artistic and scientific contributions that deal with the different ways in which musicianship, authorship and performership are challenged, extended and redefined in the era of AI.
Coevolution of Human-Machine Creativity: Incorporating the Visual Output of Artificial Intelligence into Traditional Art Making
View

Coevolution of Human-Machine Creativity: Incorporating the Visual Output of Artificial Intelligence into Traditional Art Making

The visual output from these AI generated paintings were incorporated back into abstract artworks of my own creation using traditional means; and these could subsequently be used as input to the DCGAN algorithm. When implemented iteratively, this procedure can lead to coevolution of human-machine creativity, as the artistic output of each entity (human and AI) influence each other.

Interview with Marta de Menezes

Interview with Dalila Honorato

Interview with Adam Zaretsky

Interview with Jadwiga Charzyńska

Interview with Delma Rodriguez

Interview with Olga Kisseleva

Interview with Anna Dumitriu

Interview with Luz María Sánchez

Interview with Danielle Siembieda

Interview with Freddy Paul Grunert

Interview with Elif Ayiter

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil