The MIT List Visual Arts Center announces “Symbionts: Contemporary Artists and the Biosphere”, a major group exhibition representing a new generation of practitioners within bioart. “Symbionts: Contemporary Artists and the Biosphere” brings together over a dozen international artists whose work prompts us to reexamine our human relationships to the planet’s biosphere through the lens of symbiosis, or “with living.”
October 21, 2022 – February 26, 2023
MIT List Visual Arts Center 20 Ames Street, Bldg. E15 Cambridge, MA 02139
Day & Time
October 20, 6:30 – 8PM
Free but registration required.
Hayden, Reference, and Bakalar Galleries
Crystal Z Campbell
Symbionts are organisms of different species that are found together and that thrive through their interdependent relations. They include mutualists such as the bee and the apple blossom as well as microbial organisms that circulate in the atmosphere, oceans, and soil to make the oxygen we breathe. Symbionts can also hover as potential predators or bloom as parasites—all forms of entanglement considered by the artists in Symbionts.
Engaging living entities such as fungi or bacteria—some of which will transform artworks during the course of the exhibition—the artists in Symbionts represent a new generation of practitioners within bioart. Whereas the code-driven works of bioart in the 2000s had centered the artist’s authorial manipulation of genetic sequences, the young and diverse practitioners in Symbionts are not interested in being masters of code. Instead, they explore what it means to be interdependent or collaborative, ceding individual human control of an artwork in recognition of our more-than-human relations. Symbionts foregrounds the fact that the vast majority of genetic materials in the “human” body are not actually human, but thought to be “other”: bacteria, fungi, and virions. Likewise, works in the exhibitions engage a biosphere dynamically modified by the growth of mushrooms, the blooming of algae, and the decomposition work of soil.
With experimental practices that blur the boundaries between art and science, while also underscoring the intersections of biological, social, and economic systems, these artists unveil the critical interactions that give shape to our world and the interspecies entanglements that evolve it.
The exhibition will be accompanied by an illustrated catalogue-reader designed by Omnivore and published by MIT Press that features new essay commissions and republishes selected key texts from a range of voices: artists, art historians, theorists, botanists, biologists, geoscientists, geneticists, Indigenous ecologists and others. Additional texts on each artist, authored by the exhibition curators, round out the publication, alongside an edited roundtable conversation on the themes of symbiosis, reciprocity, and Indigenous epistemologies, and a robust glossary of terms. The book is printed on innovative eco papers by Gmund and Favini (with separate sections comprised of algae, citrus or coffee “mash,” and upcycled leather paper).
“Symbionts: Contemporary Artists and the Biosphere” is curated by Caroline A. Jones, Natalie Bell, and Selby Nimrod with research assistance by Krista Alba.