Discover how artists used machines and algorithms to create mesmerising and mind-bending art between the 1950s and the early 1990s. From the birth of op art to the dawn of the internet age, artists found new ways to engage the senses and play with our perception. Electric Dreams celebrates the early innovators of optical, kinetic, programmed and digital art, who pioneered a new era of immersive sensory installations and automatically-generated works.
[ITA] La riflessione è articolata in quattro ambiti importanti per la società: innovazione e progresso sostenibile, comunità e connessioni, conoscenza e inclusione, immaginari e fiducia. Il contributo di oltre 50 personalità del mondo accademico, della ricerca e professionisti di eccellenza, provenienti da 15 diversi paesi.
[ENG] The reflection focuses on 4 key areas: innovation and sustainable progress, communities and connections, knowledge and inclusion, imaginaries, and trust. Contributions...
The Atacama Desert is the driest in the world with a fragile and unique ecosystem, co-evolved to survive with the small natural hypersaline lagoons on the salt plains. This lithium-rich groundwater is increasingly pumped and evaporated for its lithium salts, making use of lithium as a critical raw material to service a much-needed battery-led transition away from carbon fuel, addressing the existential issue of human-induced climate change. Ultimately, this is also destroying the fragile groundw...
[ENG] The result of provocative and edgy imaginations of renowned net.art pioneer Vuk Ćosić and the acclaimed collective IOCOSE, the new vocabulary - that looks at the digital sphere with irony and biting criticismis - is edited in collaboration with new media expert Vladan Joler.
[ITA] Reverse Contradictionary, frutto dell’incontro tra le fantasie provocatorie e taglienti del celebre pioniere della net.art Vuk Ćosić e dell'acclamato collettivo IOCOSE. Scritto in collaborazione con l’esperto di...
Humanity & AI. The theme of this conference focuses on how to preserve the human complexity, with Generative Art and AI. Art, poetry, music, architecture, and historic cities need generative ideas for their adaptation to the deep new demands of our fast-changing time. Our field of interest is to identify these possibilities and relate the most advanced creative approaches of Generative Art and AI.
The immersive installation invites the audience to explore its story through an audiovisual experience, where the digital artwork merges with physical kinetic sculptures, transcending the poetic and scientific themes of ancient ecosystems, contemporary landscapes, and speculative futures. A multichannel soundscape weaves together audio recordings of rivers, forests, and the city, blending sonified river data with the ethereal voices of the Namur chamber choir.
How can we adapt to the changes that are already happening? How is the planet and its bioregions, biomes, and inhabitants sensing, seeing, and reacting to us? How can we prepare for those changes that are likely to come? What is the role of local and other-than-human knowledge, on one hand, and information acquired from space, the depths of Earth, and through satellites and remote sensing, on the other, in describing our hybrid landscapes and lifeforms?
From climate change to financial collapse, data surveillance to immigration politics, weather patterns to cultural histories, the exhibition offers artistic frameworks for studying a world where phenomena are too entwined to be observed individually.
Sui 3000 fogli in mostra, forme e motivi emergeranno e si trasformeranno in base a fattori sia abiotici che biotici di agenti applicati alla carta, senza considerare la presenza e il potenziale impatto fisiologico dei visitatori che seguono i percorsi attraverso l'installazione performativa. Il gesto di firmare tutti i pezzi individualmente e di regalarli alla fine della mostra svaluta auto-ironicamente il principio dell'autorialità individuale, quando la contemplazione e la collezione vengono s...
Tre giorni, due eventi, un appuntamento unico per riflettere sulla scienza e svelare i retroscena della comunicazione. “Folle di scienza - Strambinaria” è un’occasione di incontro e confronto per il variegato mondo di chi comunica la scienza, nonché per il pubblico che fruisce del loro lavoro senza immaginare che cosa succede dietro le quinte.
In a world dominated by military conflicts, climate change, migration crisis, fake news, and political rearrangements, the digital ecosystem – in which AI is one among other major actors – plays a crucial role. We, volens nolens, increasingly identify ourselves with the machine, while we employ various strategies of resisting the artificial. Art is an important part of this process.
From CAC.8, we propose a meeting to approach Generative AI from its multiple aspects, undoubtedly from a myriad of points of view, which will allow its inclusion in Art, Design, and Culture. We would like to create a symbolic capsule of space and time to reflect on the challenges, impacts, and scope of this new tool of knowledge, which is already modifying the processes of various human activities.
The European Commission’s S+T+ARTS initiative has awarded Arts at CERN, the arts programme of the Laboratory, the prestigious Grand Prize for Innovative Collaboration in recognition of its efforts to establish transformative collaborations that connect society with science and research.
NATURANCE is launching a far-reaching initiative to organize citizen group meetings throughout Europe and beyond, focused on identifying innovative financial strategies for Nature-based Solutions (NbS) in the context of climate action and disaster risk mitigation. The citizen groups meetings are designed to tap into the collective understanding of NbS deployment and to stimulate discussions around their financial mechanisms and instruments.
In a context of profound changes and transformations, the regenerative is presented as an alternative to restore, renew or reconstruct lost or invisible memories. From the perspective of sustainability, the regenerative implies thinking about actions that imply survival as a vital matter of engendering for its re-existence.
"Future Tense: Art, Complexity, and Uncertainty", presented by the UC Irvine Beall Center for Art + Technology, is an exhibition and research project funded by the Getty’s 2024 PST ART: Art and Science Collide initiative. Culminating three years of collaborative artist-scientist residencies, Future Tense presents emerging and established contemporary artists who engage a myriad of complex systems, including robotics, evolutionary biology, data surveillance, global warming, and bacterial intellig...
Body Matters aims to investigate notions of Body in contemporary architectural discourses. Always a fundamental in architecture, the body needs to be reconsidered on its own terms, as a creative, material and philosophical concern. Beyond historical materialism and phenomenological approaches in architecture, recent new materialism thought has proposed a cross-disciplinary endeavour to confront long-held assumptions about the relationship between humans, nonhumans and the world.
[ITA] Conciliare natura, ambiente, discipline scientifiche e tecnologie – cioè natura e cultura umana – è oggi fondamentale. L’arte può fornire una prospettiva teorica e pratica importante e il tema della vita è di profonda attualità.
[ENG] Reconciling nature, environment, scientific disciplines and technologies – that is nature and human culture – is fundamental today. Art can provide an important theoretical and practical perspective.
TTTfellows: Art and Science Residency is an hybrid artist and academic experimental project organized in three different seasons aiming to bring together one artist and one scientist for 4 weeks of interdisciplinary friction and Ionian environmental immersion. The organization offers accommodation in Corfu and a fee of approx. 1400 euros to cover expenses related with traveling and research, processed after arrival in Greece, to one scientist and one artist.
The Resonances IV exhibition on the theme of NaturArchy probes issues of deep ecology, sustainability and the decolonisation of nature. A number of art and science works explore and query the entanglement of human and non-human, green technologies and new materials, nature and law, ecology and economy, ancient and new knowledge.
The event provides a unique opportunity for discussion and debate among scientists, engineers, educators, students and allows them to connect with fellow entrepreneurs and companies operating in the same sector, thus experiencing applications of these emerging technologies.
Realities in Transition (RiT) is an international community that aims at both exploring and supporting alternative Extended Reality (XR) productions, and experiment new narratives and creative processes. RiT aims at building a strong, independent European XR creative and activist community, a think tank to tackle current and future challenges in the digital sector.
In occasione della mostra “L’opera d’arte nell’epoca dell’Intelligenza Artificiale” in corso a Parma presso Palazzo Pigorini e Torrione Visconteo fino al 19 Maggio 2024, nell’ambito dell’ottava edizione di PARMA 360 Festival della creatività contemporanea, l’Auditorium del Palazzo del Governatore ospita un Convegno sul tema Arte e Intelligenza Artificiale.
While we are eager to board the shiny flight toward the digital world of ecstatic meta-fun, we are still stuck in the departure hall. In this liminal space, our bodies are repeatedly squeezed through security checks and buying overpriced data snacks. Once on board, we fasten our digital extensions to the Internet of Bodies and find ourselves strapped between the physical and the virtual world, remotely controlled and monitored. Loaded with digital anticipations, our disengagement with the physic...