The Goethe-Institut in collaboration with KIKK Festival, its Creative Hub & Fab Lab TRAKK and the cultural center Les Abattoirs de Bomel are awarding a grant for a residency project on ECOLOGICAL FUTURES. The residency program will take place in Namur from the 1st of June to the 1st of July 2020.
For over 25 years DRHA: Digital Research in the Humanities and Arts (Previously named: Digital Resources in Humanities and the Arts) continues to be a key gathering for all those are influenced by the digitization of cultural activity, recourses and heritage in the UK and beyond.
The Sixth International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, to be held at Artspace, Sydney, is calling for papers that explore the darkness of the contemporary image through the concept of Dark Eden.
In 2002 I worked on a collaborative project 34 North 118 West that was one of the first GPS locative narratives. After that there was a new terrifying feeling in my life of what to do next, where to go on an invisible, uncertain path. I felt lost for a year then collaborated on a project that ran text/image/sound works with hacked data from earthquake sensors. We worked on it for months and it was in a gallery back when digital exhibition was strange and odd. We buried a computer in a wall...
As artists and designers create never-before-heard sounds and images of never-before-seen faces, explore new processes for human-machine co-creation and infinitely parameterize the design of objects, are we at the dawn of a new paradigm in creative practice?
First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the Bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world.
Agents for Change | Facing the Anthropocene presents artworks by women media artists working at the intersection of science, technology and art, with a focus on ecological change — the greatest danger of our time. Responding to the global recognition of the importance of the creative voices and activism of women artists, this unique exhibition demonstrates progress towards improving gender representation in the arts.
Biofriction is a Creative Europe project realised in collaboration with Hangar (ES), Cultivamos Cultura (PT), Kersnikova Institute (SI) and the Bioart Society, committed to supporting bioart and biohacking practices. The title refers to the combination of biology, biotech, fiction, and arts as surfaces of friction, with particular attention to the emancipatory potential of biotechnology through interfaces in the context of artistic practices.
We're now looking for projects in the field of exper...
Computational Creativity (or CC) is a discipline with its roots in Artificial Intelligence, Cognitive Science, Engineering, Design, Psychology and Philosophy that explores the potential for computers to be autonomous creators in their own right.
Innovation at the Nexus of Science, Technology, and the ARTS: STARTS is an initiative of the European Commission to foster alliances of technology and artistic practice that effectively implement European policymaking to nurture innovation and that benefit the art world as well. The focus is on people and projects that contribute to mastering the social, ecological and economic challenges this continent faces.
Chi di noi frequenta i social media è ormai abituato ad assistere a una continua litania di notizie, video, immagini (più o meno fake, più o meno sensazionali) che ci avvertono di trovarci in un periodo di forte trasformazione. Il cambiamento climatico, l’imminente estinzione di animali e insetti, la scomparsa del paesaggio naturale a causa della speculazione umana, sono tutti fenomeni sintomatici di una nuova era che ormai è entrata a far parte del gergo popolare: l’Antropocene.
The forthcoming 12th Beyond Humanism Conference will take place in Mytilini, Lesvos, a place with a special posthuman interest due to consequences of a continuing international political and humanitarian crisis.
Datami is an exhibition of 24 artworks created by selected artists in close collaboration with scientists and policymakers. The datami is a 'data tatami': a place of concentration, of rest and repose against the digital onslaught, a unit of measurement of digital freedom.
Rather than understanding algorithms as existing and transparent tools, the ALMAT Symposium is interested in their genealogical, processual aspects and their transformative potential.
Economia – The Limited Edition is a conference taking place at Natlab, the former Philips physics laboratory, aiming to invent new avenues for playful and imaginative future developments in Economics.
[ITA] La pubblicazione costituisce il primo risultato di una serie di incontri, discussioni e approfondimenti del gruppo di ricerca PICS, composto da esperti e studiosi.
[ENG] The publication is the first outcome of a series of meetings, discussions and in-depth studies by the research group PICS, composed by experts and scholars.
La recente rilevazione delle onde gravitazionali derivanti dalla fusione di buchi neri e/o stelle di neutroni che producono vibrazioni nello spazio-tempo, consente di aggiungere il “ritmo” o, in un certo senso, il “suono” dello spazio alla millenaria concezione e rappresentazione dell’Universo come immagine sublime ma silenziosa, invitando a profonde riflessioni sul rapporto dell‘uomo con il Cosmo, la Terra, la Società.
We aim to contribute to shaping a new, more sustainable future, with positive and constructive messages on how human-kind can co-exist with nature in a changed environment and how we can transform climate change in a new wave of opportunity for all. We shape our messages with the contribution of economists, managers, environmental activists, corporate entities at the forefront of environmental innovation, but also artists, whose special sensibility and absence of boundaries can help breaking ba...
The Resonances Festival celebrates the work of the JRC on a specific theme. This year's theme, Big Data/AI/Digital Transformation is seen through the prism of Datami. After the 2018 Summer School, 24 artists have worked with JRC scientists on a unique artwork blending JRC science with their art.
L’iniziativa, che giunge quest’anno alla terza edizione, intende fornire alla figura professionale del divulgatore scientifico un’occasione di confronto e formazione al fine di sperimentare nuove e più efficaci modalità di comunicazione.
Techfest, IIT Bombay is the annual science and technology festival of the Indian Institute of Technology Bombay. Started in 1998 with the aim of providing a platform for the Indian student community to develop and showcase their technical prowess, we have now grown into Asia's Largest Science and Technology Festival: a grand three-day event on the campus of IIT Bombay attracting people from all walks of life including students, academics, professionals and the general public.
Year after year, T...
This will be the first time that the Montreal-based Topological Media Lab (Concordia University) and the Toronto-based Digital Dramaturgy Labsquared (University of Toronto) will meet and co-present current process-based and experimental works.
Le festival propose de découvrir une programmation de courts, moyens et longs métrages (documentaire, fiction, expérimental, art vidéo, animation…) issus d’une sélection internationale, et dont le thème et/ou la démarche témoignent d’une forte proximité (ou affinité) avec des champs de la recherche scientifique.
We organise a party in London to support health center for indigenous health in Brazil, more specifically, the Pará Pataxó Village of Southern Bahia. We are inviting artists interested in the indigenous communities, health and cure to present their work in artists talks, workshops, performances / live music.
Investigations into microperformativity redefine what art, philosophy and the technosciences actually consider a ‘body’ today, in times when performance art shifts towards generalized and pervasive performativity in art.
An artistic game-experiment performed in a space habitat and an authentic report of experiences from parabolic flights form the poles of a speculative discourse between an artist and a neuroscientist on conditions, possibilities, similarities, and differences of artistic and scientific research.