Loading posts...

From The Technological Herbarium (1)

On the indispensable interaction between user and garden is founded the second of the objectives pursued by the Telegarden team: that of making users realize that they are not alone in taking care of the living installation. In Telegarden, as the authors make clear, the people become aware of the electronic presence of the others while engaging in the shared goal of taking care of the plants, interrupting their 'skipping' around from one site to the next, stopping to 'smell the roses'.

Biopoetry

Since the 1980s poetry has effectively moved away from the printed page. From the early days of the minitel to the personal computer as a writing and reading environment, we have witnessed the development of new poetic languages. Video, holography, programming and the web have further expanded the possibilities and the reach of this new poetry. Now, in a world of clones, chimeras, and transgenic creatures, it is time to consider new directions for poetry in vivo. Below I propose the use of biote...

Gianna Maria Gatti’s The Technological Herbarium

Gianna Maria Gatti's book The Technological Herbarium (subtitled: "Vegetable Nature and New Technologies in Art Between the Second and Third Millennia") is a study of 'interdisciplinary' works of art that exemplify the increasing importance of science and technology in artistic creation. Her analysis, however, goes beyond that of a journalistic or curatorial survey of artworks.

Terza Vita

E' ipotizzabile una terza vita, oltre a quella definita seconda, che trascenda i mondi virtuali? Più processi in corso che, nella loro complessità, implicano modifiche graduali del vivente - e di quanto a esso si ispira - non rendono l'ipotesi del tutto irrealistica. Passerà per l'infinitamente piccolo questa evoluzione verso una ulteriore vita, verosimilmente più sofisticata delle precedenti?

NeMe: Hot to Bot

The idea that non-living matter could be used to invoke, influence, and emulate living beings is probably as old as human life itself. Over thousands of years this concept has become deeply ingrained in the human imagination as a locus of desires and fears about the future; and about the role of art and technology in forming it.

Interview with Luis Miguel Girão

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Pavel Smetana

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Alberto Abruzzese (Italiano)

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil

Interview with Laura Beloff

Interview with Alan Shapiro