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Database Logic(s) and Landscape Art

Thus for artists working with landscape data, there are aesthetic correlates to the original question involving the strategic and tactical approaches that are necessary for dealing with the inherent uncertainty of mined/revealed relations amidst (or between) extremely large sets of geo-data organized logically and discretely, particularly in consideration of data with a formal basis in relational or multidimensional algebra. [...] It is possible, and perhaps even likely, that computer artists wo...

Processual Media Theory and the Art of Day Trading

The key problem of an empirics of new media aesthetics resides in its failure, in a number of instances, to understand that the aesthetics of artworks, software applications and technologies are conditioned by social relations as well as the theoretical paradigms through which analysis proceeds. Technology [...] is found in the processual dimension of articulation, where the media is but one contingent element that undergoes transformation upon every re-articulation. This presents a challenge to...

As Logic of Assembly

Assembly is the fundamental logic of post-industrial and industrial society, whether particular elements are manually assembled by a human author in a fixed sequence or automatically assembled in infinite arrangements by a programmatic software application; the process and consequence is of assembly. Digital Media enhances and reinforces the dominant social logic of assembly from the basic level of assembling Bits of data in order to execute rudimentary electronic commands, to assembling samples...

Studying world society

The truth of social experience is always local, but we need to extend ourselves to grasp what kind of world society we live in. Such a global society is constituted by power relations, but the bridge to an understanding of our common humanity is moral. Morality is the ability to make personal judgements about the good and bad behaviour of people, including ourselves. Anthropology ought to be a means of helping us to do that more effectively. There is no guarantee that people in the future will w...

Network 404

I must admit that I find it incredibly difficult to write about networks. I started out by trying to define what a network is, by spelling out, point by point, what are the inherent qualities of networks and how this might relate to art in general and to the work of the artists in this show. But soon I found out that this gave me writers block. Over the past few decades and especially at the start of the internet boom so much has been written about networks, that the ideas have somehow exhausted...

Interview with Luis Miguel Girão

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Pavel Smetana

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Alberto Abruzzese (Italiano)

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil

Interview with Laura Beloff

Interview with Alan Shapiro