Tagged as: art
La fine del mondo. Il Nuovo Centro Pecci di Prato / The end of the world. Prato’s New Center Pecci
[ITA] A Prato il Centro per l’Arte Contemporanea Luigi Pecci è la prima istituzione italiana costruita ex novo per presentare, collezionare, documentare e promuovere le ricerche artistiche più avanzate. Dalla sua apertura nel 1988 ha prodotto una vasta attività espositiva e di documentazione sull’arte contemporanea, numerosi programmi didattici, spettacoli ed eventi multimediali. [ENG] In Prato, the Center for Contemporary Art Luigi Pecci is the first Italian institution built ex novo to presen...
Emergence of Creative Machines
Recent years demonstrates a divide between the old humanistic vision that puts the human at the center of all things and the increasing machine autonomy. We witness an effective resistance to the unavoidable cultural change. However, the endeavor to make machines more intelligent, creative and even capable of some consciousness, is determined by need and is now unstoppable.
The Art of Emotional Intelligence
The challenges of the 21st century require new ways of thinking, making it crucial for educators and policy makers to understand the processes of creative thinking and achievement. [...] Emotions are central to all art forms, from painting and sculpture, to music, film, theatre and other arts.
Transmediale15: a reflection about algorithmic life
[ITA] Si è conclusa la ventisettesima edizione di transmediale15, nell'incontro tra cultura ed età post-digitale. Una riflessione sul tema "del futuro del lavoro e della vita algoritmica". [ENG] The twenty-seven edition of transmediale15 took place into the cutting edge of culture in the post-digital age. A reflection on "the future of algorithmic work and life".
Luci, tecnologie, arti… / Lights, Technologies, Arts…
[ITA] Se penso alla luce penso a un'energia e penso a quegli organi - come l'occhioo - che la rivelano, come scrisse Gyorgy Kepes. [ENG] If I think about light I think about an energy and I think about those organs - like the eye - that reveal it, as Gyorgy Kepes wrote.
In the Name of the Pattern
[...] Nevertheless we can find an explicit use of “pattern” as a technical word in a variety of disciplines ranging from science or art to craftsmanship, such as tailoring, software design, architecture, finance, trading, knitting, interface design, decoration, data mining, machine learning, medical diagnosis and many more.
Tapzy: a post-(human)Iconkiller?
[ITA] Presentato al pubblico ad ottobre 2012 con una mostra evento, Tapzy è un progetto di arte ibrida, che vive ormai da un anno grazie all’interazione del suo protagonista – un uomo elefante dal look clownesco – in contesti diversi contemporaneamente, on line ed off line. [ENG] Unveiled to the public in October 2012 with an event exhibition, Tapzy is a project of hybrid art, who lives through the interaction of its protagonist – an elephant-man with a clownish look- in different contexts at t...
Open Call for a Residency at ESA
(Linz, April 20, 2016) Under the aegis of the European Digital Art and Science Network, Ars Electronica cordially invites artists to take part in a competition for a residency at the European Space Agency (ESA) and at the Ars Electronica Futurelab. This residency offers artists an extraordinary opportunity to experience the landing of the Rosetta space probe and the ExoMars Mission live on site at the European Space Research and Technology Centre (ESTEC) in Noordwijk, The Netherlands. This visit...
Call for Papers: Art and Education
The relationship between art and education has a long history during which it has acquired various forms that, far from following each other in a linear sequence, coexist and hybridize. Thus, we find different currents in education that advocate the inclusion of art in general schooling with the purpose of fostering personal, intellectual, moral, social (and, of course, professional) development. Furthermore, there have also been artistic projects undertaken in cooperation with certain groups, i...
Art and Science as the Conjectured Possible
[...] In this manner, by demonstrating the logic in the creation of new technological forms and new identities, art articulates the primary task of the individual living in the age of new technologies: the construction of a living future (that is, a future that endows us with freedom), and not a dead, mechanized future that is being built without our participation.
The Big Picture – New Concepts for a New World
[ITA] Alcuni dicono che la crisi che stiamo vivendo può essere vista come qualcosa di positivo, come un'opportunità per cambiare in meglio il mondo in cui viviamo, per produrre qualcosa di nuovo. [ENG] Some say that the crisis we are going through can be seen as something positive, as an opportunity to change the world we are living in for the better, to produce something new.
Intervista a Gwenn-Aël Lynn / Interview to Gwenn-Aël Lynn
[ITA] Gwenn-Aël Lynn è un artista franco-americano la cui ricerca fa uso di linguaggi e strumenti non tradizionali e si sviluppa intorno a tematiche trans-culturali. [ENG] Gwenn Aël-Lynn is a french-american artist whose research uses non-traditional languages and tools and also focuses on transcultural themes.
Noema’s n.blog & Subtle Technologies
The 15th annual Subtle Technologies Festival took place in Toronto for 3 days (May 24-27, 2012), with scientists, artists and designers from all around the world to share ideas, science and artworks. This year the Festival for the first time was made in collaboration with Ryerson University, with a packed program of presentations, workshops, performances, screenings and more, all connected to science and art. Also this year (like in 2007, 2008, 2009, 2010 and 2011) Roberta Buiani from Toronto at...
Towards the Third Life
Humans also developed a wide range of artefacts, machines, entities that are quickly becoming more and more powerful, complex, autonomous, and independent. These could be defined to a certain extent as “living entities”, expanding the idea of life and of life forms. All this processes seem pushing forward the human biological, cultural, technical boundaries. How do they happen? Where are technologies based on? Can these processes give any glimpses on a possible evolution?
Noema Archive 2000-2011
[ITA] Noema è online dal marzo 2000 e questa è la 4° release, ma il "vecchio" sito rimane online, diventando un enorme archivio di contenuti (2000-2011), grafica, idee, tecniche, visioni, modi di fare comunicazione online. [ENG] Noema has been online since March 2000 and this is the 4th release, but the old website remains online as a huge archive of contents (2000-2011), graphics, ideas, techniques, visions, ways of making online communication.