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Science Must Push Copyright Aside

Many journal publishers appear to believe that the purpose of scientific literature is to enable them to publish journals so as to collect subscriptions from scientists and students. Such thinking is known as 'confusion of the means with the ends'. Their approach has been to restrict access even to read the scientific literature to those who can and will pay for it. They use copyright law, which is still in force despite its inappropriateness for computer networks, as an excuse to stop scientist...

Eravamo pronti

Le sfide portate dai Governi alla libera circolazione di idee in Internet si giocano su tre tavoli. Il primo riguarda la difesa della libertà d'espressione in Internet. [...] Una seconda sfida riguarda la libertà di pubblicazione. Per anni è stato un gioco da ragazzi aprire il proprio sito personale, avviare con entusiasmo la newsletter della nostra associazione culturale o un newsgroup dove condividere barzellette, o discussioni tematiche sul signor Rothbard, o per protestare contro la globaliz...

Aesthetics of Programming. Interview with Mark Napier

The symbolic structure of language allows us to navigate in a map of the world rather than the world itself. [...] Language is a very powerful tool that allows us to create a map of our physical experiences and then navigate in that map, and by so doing we can communicate complex experiences and actions to others, even long after we die, if we write them down. Most of the time we can't separate the map from reality. It *is* reality as far as we can tell. [...] Software is very similar to this. I...

DOT Force e la lotta al divario digitale

Solo pochi anni fa, nel pieno dell'entusiasmo per l'enorme sviluppo e diffusione delle reti informatiche, dagli Usa era giunto un monito importante: difficilmente, anche nella migliore tra le ipotesi, le reti sarebbero state utilizzate da una percentuale maggiore del 65 per cento della popolazione. [...] Questa disparità di accessi è andata via via trasformandosi in una realtà che oggi appare ancora più netta del previsto, allontanando gli auspici che guardavano alle reti come a un'opportunità p...

Harvesting the Net: Memory Flesh

About three years ago I started investigating what the human genome was attempting to make. I found it almost impossible to sift through the emerging public discussion around it; it was and still continues to be a subject that stages a certain type of information warfare. But it kept making the papers and getting a lot of media attention with inflated projections of its potential. [...] Harvesting the Net: Memory Flesh [...] contains the original source material discovered through my time-based ...

Live ASCII Streaming of Video

One of the experiments in using Internet technology in representing video material is ASCII streaming, in which illusion of the motion is brought to experience by moving ASCII text based images, within the fixed raster matrix on the screen. ASCII streaming does not try to bring Internet multimedia streaming close to "broadcast quality", but goes into totally different direction: representing video as the sequence of moving images composed of ASCII letters.

Transidiomen

Dopo due secoli di sovranità delle nazioni, ora la supremazia politica, sociale e culturale passa nelle mani degli organismi internazionali [...], delle corporazioni multinazionali, delle holdings di aiuti umanitari, delle varie forze di pronto intervento militare. In questo contesto cambia il regime di appartenenza, non più - o non solo - legato ad una terra, una lingua, un popolo, bensì ad un'area cosmopolita [...], ad un linguaggio globale, ad una comunità diasporica, corporation o organismo ...

Social Software

It is, of course, possible to consider the ontological evolution of software from a perspective of complex social structure. It can be argued that any given software is a dynamic of data relations that combine in interesting ways to emerge increasingly complex strata of information interactions. And although these interactions are computationally discrete, they are never completely predictive, for algorithms operate as perturbations within the consensual domain of software's interactions with it...

MP3, la battaglia continua

Otto delle quindici tracce presenti nel nuovo album "A tribute to Jim Reeves" del cantante country americano Charles Pride sono apparse la scorsa settimana su una pagina Web "privata" di Yahoo!. La cosa sembrerebbe del tutto comune visti i tempi che corrono, se non fosse per due ragioni. La prima è che i brani erano già disponibili online prima dell'uscita del cd, previsto per venerdì scorso; secondariamente, le copie risultavano protette da un sistema antipirateria fresco fresco, messo a punto ...

Conversions

Net art is about *conversions*. Why conversions? Perhaps because net art needs data like paintings need pigment, and converting data from one form to another gives net artists the basic materials they need for artmaking. The conversions stem also from our fascination with transformation, a type of digital alchemy where the use of an intermediary substrate (ones and zeros) lets artists convert IP addresses to colors, video to ASCII text, HTML to animation, and so on. In recent months net art has ...

No more TV

No more TV. I am not suggesting the negation of the attributes of the device as an instrument of communication, of social interaction, of *democratization* of the cultural experience: instead, I propose a radical discussion about the mechanisms that regulate its *real* existence in a "*free* market" context (the existing one, to be precise), seeing that the possibility of its effective social existence ever being contemplated again is virtually nil, except perhaps occasionally (in isolated circl...

Invisibility/corporeality

The other day I was having a discussion with someone about dance making and interactive systems and the 'transparency' issue as regards the receptivity of an audience to the aspects of the work that might be invisible. What is being considered *invisible* in this context is the mapping from input to various forms of output - and this mapping is essentially the consequence of someone providing the instructions for the computer, telling it what to do.

Interview with Tom Betts/NullPointer

NullPointer has recently released a beta-version of a new web visualisation application, WebTracer. [...] The application deals with sites and pages as molecules and atoms, the resulting cellular structures reflect the information structures of the web. I find that the representation of the many shells and layers that guide our exploration and expliotation of cyberspace can help to reinforce the awareness that all information systems are guided by a great number of defining elements. The Hardwar...

Interview with Jeffrey Shaw

The integrity of the original artwork is only fully intact in the imagination of its creator. Even its translation into the physical is a depreciation forced by the contraints of materiality, and exposure of the artwork to the social leads to the complete degradation/reconstruction of the 'original' by its intepretors and manipulators. On the other hand it is only in this social vector that the artwork becomes a cultural artifact and assumes a historical significance. The 'original spirit' must ...

Interview with Luis Miguel Girão

Interview with Roberta Buiani

Interview with Bill Seaman

Interview with Roger Malina

Interview with Pavel Smetana

Interview with Christa Sommerer

Interview with Annick Bureaud

Interview with Leonel Moura

Interview with Nina Czegledy

Interview with Alberto Abruzzese (Italiano)

Interview with Stelarc

Interview with Derrick de Kerckhove

Interview with Margarete Jahrmann

Interview with Jaromil

Interview with Laura Beloff

Interview with Alan Shapiro